Demons · Chapters
Chapters explained
Chapter companions for Demons by Fyodor Dostoevsky.
Chapter 1
Epigraph
The chapter opens with an excerpt from Pushkin's poem about demons leading travelers astray, followed by the biblical passage from Luke describing Jesus casting devils out of a man and into a herd of swine, which then rush into a lake and drown.
Chapter 2
Demons Part I
The opening of the novel introduces the provincial town and its intellectual circles, centered around Stepan Trofimovitch Verhovensky and his patron Varvara Petrovna Stavrogin. The arrival of Stepan's son, Pyotr Verhovensky, and the enigmatic Nikolay Stavrogin sets in motion a series of unsettling events, including Stavrogin's bizarre and violent acts that shock the community.
Chapter 3
I: Introductory
The chapter introduces Stepan Trofimovitch Verhovensky, his intellectual and social maneuvers in St. Petersburg, and his complex relationship with Varvara Petrovna Stavrogin. It depicts the rise of radical and liberal ideas, the emancipation of the serfs, and the ensuing debates about nationalism, faith, and the Russian people. Stepan Trofimovitch's philosophical musings and his clashes with characters like Shatov and Liputin set the stage for the ideological conflicts to come.
Chapter 4
Chapter I
Varvara Petrovna confronts the mysterious Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov. The scene is tense with unspoken secrets, as Liza observes with a knowing smile and Praskovya Ivanovna arrives to retrieve her daughter.
Chapter 5
II
Praskovya Ivanovna visits Varvara Petrovna, and the tension between the two old friends erupts. Varvara Petrovna, offended by recent rumors and Praskovya's supercilious attitude, confronts her. The scene is witnessed by Stepan Trofimovitch, Shatov, and Liza, who appears distracted and absorbed by her own thoughts.
Chapter 6
III
Varvara Petrovna confronts Praskovya Ivanovna about anonymous letters and rumors, leading to a tense scene where Marya Timofyevna is pointed out as the 'truth' that has come out. Darya Pavlovna enters and clarifies her role in delivering money to Lebyadkin at Nikolay Stavrogin's request. Liza asserts her intention to stay, and Lebyadkin is brought in.
Chapter 7
IV
Captain Lebyadkin visits Varvara Petrovna's drawing-room, where he rambles incoherently about his name, recites his poem 'The Cockroach,' and attempts to return money to her while making cryptic references to his sister Marya Timofyevna. His erratic behavior and veiled threats create tension among the assembled company, including Stepan Trofimovitch, Liza, Mavriky Nikolaevitch, and Shatov.
Chapter 8
V
Pyotr Verhovensky arrives unexpectedly at Varvara Petrovna's drawing-room, reuniting with his father Stepan Trofimovitch. Shortly after, Nikolay Stavrogin enters calmly. Varvara Petrovna confronts him directly, asking if Marya Timofyevna is his lawful wife. Stavrogin responds with a kiss on her hand, then gently leads Marya Timofyevna away, treating her with tender respect. The room erupts in conversation after their exit.
Chapter 9
Chapter VI
Varvara Petrovna passionately defends her son Nikolay Stavrogin's character, interpreting his past actions as noble and misunderstood, while Pyotr Verhovensky exposes Captain Lebyadkin's exploitation of his sister Marya Timofyevna. The confrontation culminates in Lebyadkin's humiliation and the arrival of Stavrogin himself.
Chapter 10
VII
Stepan Trofimovitch is publicly humiliated by his son Pyotr and Varvara Petrovna, who accuses him of writing manipulative letters about 'sins of another.' He leaves with dignity after Darya Pavlovna pleads with him not to speak. Nikolay Stavrogin returns, cheerfully defusing the tension, while Liza Tushin laughs uncontrollably at Mavriky Nikolaevitch. Stavrogin reveals he has been to Kirillov's with Pyotr.
Chapter 11
VIII
In a tense gathering, Shatov suddenly strikes Stavrogin in the face, a shocking act that defies expectations of Stavrogin's violent nature. Stavrogin, known for his fearless and cold anger, restrains himself, gripping Shatov's shoulders then releasing him, turning pale but calm. The scene ends with Liza fainting, highlighting the emotional turmoil and the complex dynamics of power, fear, and self-control among the characters.
Chapter 12
Chapter IX
The narrator encounters Captain Lebyadkin, who is drunk and recites verses dedicated to Lizaveta Nikolaevna, revealing his infatuation. Liputin informs the narrator that Lebyadkin has become a landowner after Nikolay Stavrogin sold him his estate.
Chapter 13
II: Prince Harry. Matchmaking
This chapter delves into the relationship between Varvara Petrovna and her son, Nikolay Stavrogin, and her deep attachment to Stepan Trofimovitch, who was Stavrogin's tutor. It recounts Stavrogin's childhood, his education under Stepan Trofimovitch, and his later descent into scandalous behavior, including a brutal incident at the club and a public kiss at Liputin's party. The chapter also explores the strained dynamics between Varvara Petrovna and Stepan Trofimovitch, highlighting his deterioration and her disappointment.
Chapter 14
Chapter I
Varvara Petrovna confronts the mysterious Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov. The scene is tense with unspoken secrets, as Liza observes with a knowing smile and Praskovya Ivanovna arrives to retrieve her daughter.
Chapter 15
II
Praskovya Ivanovna visits Varvara Petrovna, and the tension between the two old friends erupts. Varvara Petrovna, offended by recent rumors and Praskovya's supercilious attitude, confronts her. The scene is witnessed by Stepan Trofimovitch, Shatov, and Liza, who appears distracted and absorbed by her own thoughts.
Chapter 16
III
Varvara Petrovna confronts Praskovya Ivanovna about anonymous letters and rumors, leading to a tense scene where Marya Timofyevna is pointed out as the 'truth' that has come out. Darya Pavlovna enters and clarifies her role in delivering money to Lebyadkin at Nikolay Stavrogin's request. Liza asserts her intention to stay, and Lebyadkin is brought in.
Chapter 17
IV
Captain Lebyadkin visits Varvara Petrovna's drawing-room, where he rambles incoherently about his name, recites his poem 'The Cockroach,' and attempts to return money to her while making cryptic references to his sister Marya Timofyevna. His erratic behavior and veiled threats create tension among the assembled company, including Stepan Trofimovitch, Liza, Mavriky Nikolaevitch, and Shatov.
Chapter 18
V
Pyotr Verhovensky arrives unexpectedly at Varvara Petrovna's drawing-room, reuniting with his father Stepan Trofimovitch. Shortly after, Nikolay Stavrogin enters calmly. Varvara Petrovna confronts him directly, asking if Marya Timofyevna is his lawful wife. Stavrogin responds with a kiss on her hand, then gently leads Marya Timofyevna away, treating her with tender respect. The room erupts in conversation after their exit.
Chapter 19
Chapter VI
Varvara Petrovna passionately defends her son Nikolay Stavrogin's character, interpreting his past actions as noble and misunderstood, while Pyotr Verhovensky exposes Captain Lebyadkin's exploitation of his sister Marya Timofyevna. The confrontation culminates in Lebyadkin's humiliation and the arrival of Stavrogin himself.
Chapter 20
VII
Stepan Trofimovitch is publicly humiliated by his son Pyotr and Varvara Petrovna, who accuses him of writing manipulative letters about 'sins of another.' He leaves with dignity after Darya Pavlovna pleads with him not to speak. Nikolay Stavrogin returns, cheerfully defusing the tension, while Liza Tushin laughs uncontrollably at Mavriky Nikolaevitch. Stavrogin reveals he has been to Kirillov's with Pyotr.
Chapter 21
VIII
In a tense gathering, Shatov suddenly strikes Stavrogin in the face, a shocking act that defies expectations of Stavrogin's violent nature. Stavrogin, known for his fearless and cold anger, restrains himself, gripping Shatov's shoulders then releasing him, turning pale but calm. The scene ends with Liza fainting, highlighting the emotional turmoil and the complex dynamics of power, fear, and self-control among the characters.
Chapter 22
III: The Sins of Others
The narrator recounts his interactions with Liputin, who is a gossip and spy, and his visit to Stepan Trofimovitch, who is agitated about Liputin's knowledge of their affairs. The narrator meets Karmazinov, a once-revered writer now in decline, and reflects on the fleeting nature of literary fame. Stepan Trofimovitch laments his upcoming marriage, expressing despair and a confession of his long-standing love for 'Auntie' (Varvara Petrovna), and calls for his son Pyotr. The chapter also includes a philosophical conversation with Kirillov about suicide, godhood, and the transformation of man, and ends with a drunken encounter with Captain Lebyadkin.
Chapter 23
Chapter I
Varvara Petrovna confronts the mysterious Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov. The scene is tense with unspoken secrets, as Liza observes with a knowing smile and Praskovya Ivanovna arrives to retrieve her daughter.
Chapter 24
II
Praskovya Ivanovna visits Varvara Petrovna, and the tension between the two old friends erupts. Varvara Petrovna, offended by recent rumors and Praskovya's supercilious attitude, confronts her. The scene is witnessed by Stepan Trofimovitch, Shatov, and Liza, who appears distracted and absorbed by her own thoughts.
Chapter 25
III
Varvara Petrovna confronts Praskovya Ivanovna about anonymous letters and rumors, leading to a tense scene where Marya Timofyevna is pointed out as the 'truth' that has come out. Darya Pavlovna enters and clarifies her role in delivering money to Lebyadkin at Nikolay Stavrogin's request. Liza asserts her intention to stay, and Lebyadkin is brought in.
Chapter 26
IV
Captain Lebyadkin visits Varvara Petrovna's drawing-room, where he rambles incoherently about his name, recites his poem 'The Cockroach,' and attempts to return money to her while making cryptic references to his sister Marya Timofyevna. His erratic behavior and veiled threats create tension among the assembled company, including Stepan Trofimovitch, Liza, Mavriky Nikolaevitch, and Shatov.
Chapter 27
V
Pyotr Verhovensky arrives unexpectedly at Varvara Petrovna's drawing-room, reuniting with his father Stepan Trofimovitch. Shortly after, Nikolay Stavrogin enters calmly. Varvara Petrovna confronts him directly, asking if Marya Timofyevna is his lawful wife. Stavrogin responds with a kiss on her hand, then gently leads Marya Timofyevna away, treating her with tender respect. The room erupts in conversation after their exit.
Chapter 28
Chapter VI
Varvara Petrovna passionately defends her son Nikolay Stavrogin's character, interpreting his past actions as noble and misunderstood, while Pyotr Verhovensky exposes Captain Lebyadkin's exploitation of his sister Marya Timofyevna. The confrontation culminates in Lebyadkin's humiliation and the arrival of Stavrogin himself.
Chapter 29
VII
Stepan Trofimovitch is publicly humiliated by his son Pyotr and Varvara Petrovna, who accuses him of writing manipulative letters about 'sins of another.' He leaves with dignity after Darya Pavlovna pleads with him not to speak. Nikolay Stavrogin returns, cheerfully defusing the tension, while Liza Tushin laughs uncontrollably at Mavriky Nikolaevitch. Stavrogin reveals he has been to Kirillov's with Pyotr.
Chapter 30
VIII
In a tense gathering, Shatov suddenly strikes Stavrogin in the face, a shocking act that defies expectations of Stavrogin's violent nature. Stavrogin, known for his fearless and cold anger, restrains himself, gripping Shatov's shoulders then releasing him, turning pale but calm. The scene ends with Liza fainting, highlighting the emotional turmoil and the complex dynamics of power, fear, and self-control among the characters.
Chapter 31
Chapter IX
The narrator encounters Captain Lebyadkin, who is drunk and recites verses dedicated to Lizaveta Nikolaevna, revealing his infatuation. Liputin informs the narrator that Lebyadkin has become a landowner after Nikolay Stavrogin sold him his estate.
Chapter 32
Chapter X
Stepan Trofimovitch returns from the Drozdovs in a state of agitation, confessing to the narrator that he feels isolated and that the visit was merely an attempt to extract information from him. He reveals that the Drozdovs are preoccupied with rumors about Nikolay Stavrogin's madness and past scandals, and that Liza is both mocking and secretive. He then shares a letter from Varvara Petrovna summoning him to a meeting on Sunday to finalize his marriage to Darya Pavlovna, which he now dreads. He admits to having written a letter to Darya Pavlovna and to Nikolay Stavrogin, attempting to act honorably but now regretting it. The chapter ends with Stepan Trofimovitch lamenting his twenty-year unrequited love for Varvara Petrovna and calling for his son Pyotr.
Chapter 33
IV: The Cripple
The narrator visits Shatov, who is agitated and listening for sounds from the Lebyadkin apartment. Shatov recounts his and Kirillov's experiences in America, revealing that Nikolay Stavrogin sent him money to return. The narrator explains his promise to Liza Tushin to arrange a meeting with Shatov. Later, the narrator finds Shatov with Kirillov and Shigalov, who leave after a tense silence.
Chapter 34
Chapter I
Varvara Petrovna confronts the mysterious Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov. The scene is tense with unspoken secrets, as Liza observes with a knowing smile and Praskovya Ivanovna arrives to retrieve her daughter.
Chapter 35
II
Praskovya Ivanovna visits Varvara Petrovna, and the tension between the two old friends erupts. Varvara Petrovna, offended by recent rumors and Praskovya's supercilious attitude, confronts her. The scene is witnessed by Stepan Trofimovitch, Shatov, and Liza, who appears distracted and absorbed by her own thoughts.
Chapter 36
III
Varvara Petrovna confronts Praskovya Ivanovna about anonymous letters and rumors, leading to a tense scene where Marya Timofyevna is pointed out as the 'truth' that has come out. Darya Pavlovna enters and clarifies her role in delivering money to Lebyadkin at Nikolay Stavrogin's request. Liza asserts her intention to stay, and Lebyadkin is brought in.
Chapter 37
IV
Captain Lebyadkin visits Varvara Petrovna's drawing-room, where he rambles incoherently about his name, recites his poem 'The Cockroach,' and attempts to return money to her while making cryptic references to his sister Marya Timofyevna. His erratic behavior and veiled threats create tension among the assembled company, including Stepan Trofimovitch, Liza, Mavriky Nikolaevitch, and Shatov.
Chapter 38
V
Pyotr Verhovensky arrives unexpectedly at Varvara Petrovna's drawing-room, reuniting with his father Stepan Trofimovitch. Shortly after, Nikolay Stavrogin enters calmly. Varvara Petrovna confronts him directly, asking if Marya Timofyevna is his lawful wife. Stavrogin responds with a kiss on her hand, then gently leads Marya Timofyevna away, treating her with tender respect. The room erupts in conversation after their exit.
Chapter 39
Chapter VI
Varvara Petrovna passionately defends her son Nikolay Stavrogin's character, interpreting his past actions as noble and misunderstood, while Pyotr Verhovensky exposes Captain Lebyadkin's exploitation of his sister Marya Timofyevna. The confrontation culminates in Lebyadkin's humiliation and the arrival of Stavrogin himself.
Chapter 40
VII
Stepan Trofimovitch is publicly humiliated by his son Pyotr and Varvara Petrovna, who accuses him of writing manipulative letters about 'sins of another.' He leaves with dignity after Darya Pavlovna pleads with him not to speak. Nikolay Stavrogin returns, cheerfully defusing the tension, while Liza Tushin laughs uncontrollably at Mavriky Nikolaevitch. Stavrogin reveals he has been to Kirillov's with Pyotr.
Chapter 41
V: The Subtle Serpent
Varvara Petrovna confronts Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov about her identity. The scene escalates as Liza observes with a cold smile, and Varvara Petrovna receives Lebyadkin, who is brought in by Mavriky Nikolaevitch. Stepan Trofimovitch is publicly denounced and banished, while Pyotr Verhovensky reveals his manipulative role. Liza shows defiance by staying, and Shatov's silent tension hints at deeper secrets.
Chapter 42
Chapter I
Varvara Petrovna confronts the mysterious Marya Timofyevna in her drawing-room, demanding explanations from Stepan Trofimovitch and Shatov. The scene is tense with unspoken secrets, as Liza observes with a knowing smile and Praskovya Ivanovna arrives to retrieve her daughter.
Chapter 43
II
Praskovya Ivanovna visits Varvara Petrovna, and the tension between the two old friends erupts. Varvara Petrovna, offended by recent rumors and Praskovya's supercilious attitude, confronts her. The scene is witnessed by Stepan Trofimovitch, Shatov, and Liza, who appears distracted and absorbed by her own thoughts.
Chapter 44
III
Varvara Petrovna confronts Praskovya Ivanovna about anonymous letters and rumors, leading to a tense scene where Marya Timofyevna is pointed out as the 'truth' that has come out. Darya Pavlovna enters and clarifies her role in delivering money to Lebyadkin at Nikolay Stavrogin's request. Liza asserts her intention to stay, and Lebyadkin is brought in.
Chapter 45
IV
Captain Lebyadkin visits Varvara Petrovna's drawing-room, where he rambles incoherently about his name, recites his poem 'The Cockroach,' and attempts to return money to her while making cryptic references to his sister Marya Timofyevna. His erratic behavior and veiled threats create tension among the assembled company, including Stepan Trofimovitch, Liza, Mavriky Nikolaevitch, and Shatov.
Chapter 46
V
Pyotr Verhovensky arrives unexpectedly at Varvara Petrovna's drawing-room, reuniting with his father Stepan Trofimovitch. Shortly after, Nikolay Stavrogin enters calmly. Varvara Petrovna confronts him directly, asking if Marya Timofyevna is his lawful wife. Stavrogin responds with a kiss on her hand, then gently leads Marya Timofyevna away, treating her with tender respect. The room erupts in conversation after their exit.
Chapter 47
Chapter VI
Varvara Petrovna passionately defends her son Nikolay Stavrogin's character, interpreting his past actions as noble and misunderstood, while Pyotr Verhovensky exposes Captain Lebyadkin's exploitation of his sister Marya Timofyevna. The confrontation culminates in Lebyadkin's humiliation and the arrival of Stavrogin himself.
Chapter 48
VII
Stepan Trofimovitch is publicly humiliated by his son Pyotr and Varvara Petrovna, who accuses him of writing manipulative letters about 'sins of another.' He leaves with dignity after Darya Pavlovna pleads with him not to speak. Nikolay Stavrogin returns, cheerfully defusing the tension, while Liza Tushin laughs uncontrollably at Mavriky Nikolaevitch. Stavrogin reveals he has been to Kirillov's with Pyotr.
Chapter 49
VIII
In a tense gathering, Shatov suddenly strikes Stavrogin in the face, a shocking act that defies expectations of Stavrogin's violent nature. Stavrogin, known for his fearless and cold anger, restrains himself, gripping Shatov's shoulders then releasing him, turning pale but calm. The scene ends with Liza fainting, highlighting the emotional turmoil and the complex dynamics of power, fear, and self-control among the characters.
Chapter 50
I: Night
Eight days after the scandalous Sunday, the town is rife with rumors about Stavrogin's blow, Liza's fainting, and the mysterious disappearance of the Lebyadkins. Stepan Trofimovitch and the narrator observe from a distance. Stavrogin visits Kirillov, who speaks of his atheistic philosophy and his plan to kill himself to prove his will. Stavrogin then visits Shatov, who confesses he bought a revolver fearing Stavrogin would kill him. Stavrogin reveals that Marya Timofyevna is his lawful wife. Shatov, though feverish, listens. Meanwhile, Pyotr Verhovensky's past as a revolutionist is discussed, and his influence in town grows. Stepan Trofimovitch remains unusually calm, having settled his property affairs through Varvara Petrovna.
Chapter 51
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 52
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 53
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 54
IV
Pyotr Stepanovitch manipulates Governor von Lembke into a false sense of security, while Blum, a devoted but unlucky German relative, insists on searching Stepan Trofimovitch's home for forbidden literature, leading to a confrontation that ends with Yulia Mihailovna's entrance and Blum's departure, setting the stage for a public scandal.
Chapter 55
V
Pyotr Stepanovitch visits Karmazinov, who eagerly awaits him and discusses the impending collapse of Russia and Europe, the revolutionary manifestoes, and the concept of honor. Karmazinov reveals his contempt for Stavrogin and his own plans to flee. Pyotr Stepanovitch hints at a timeline for the revolution, then departs for Filipov's house.
Chapter 56
VI
Pyotr Stepanovitch visits Kirillov to confirm his commitment to a suicide pact and to arrange for him to pose as an inspector at a meeting. He then goes to Shatov, demanding he attend the meeting and hand over the printing press and papers, despite Shatov's resistance. The chapter reveals the manipulative dynamics and underlying tensions among the revolutionary group.
Chapter 57
VII
Pyotr Stepanovitch visits Stavrogin and they discuss the upcoming meeting at Virginsky's house. Stavrogin learns that Mavriky Nikolaevitch has offered to give up his betrothed, Liza, to him. Pyotr Stepanovitch reveals his manipulative methods for controlling the revolutionary circle, including the use of titles, sentimentalism, and the suggestion of binding members through shared bloodshed.
Chapter 58
II: Night (Continued)
Nikolay Stavrogin walks through the rainy night to a remote house, encountering the escaped convict Fedka on a bridge. Fedka offers his services, hinting at Pyotr Verhovensky's manipulations, but Stavrogin dismisses him. At the house, Captain Lebyadkin greets him, recites a vulgar poem, and pleads for money, while Stavrogin rebukes him for his misdeeds.
Chapter 59
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 60
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 61
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 62
IV
Pyotr Stepanovitch manipulates Governor von Lembke into a false sense of security, while Blum, a devoted but unlucky German relative, insists on searching Stepan Trofimovitch's home for forbidden literature, leading to a confrontation that ends with Yulia Mihailovna's entrance and Blum's departure, setting the stage for a public scandal.
Chapter 63
III: The Duel
The duel between Nikolay Stavrogin and Gaganov takes place, with Stavrogin deliberately firing into the air, infuriating Gaganov. After the duel, Stavrogin has a tense conversation with Kirillov about burden and nature, then returns home to instruct Alexey Yegorytch to prevent Darya Pavlovna from visiting him. Darya Pavlovna confronts him briefly, and they agree to part until the end comes.
Chapter 64
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 65
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 66
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 67
IV
Pyotr Stepanovitch manipulates Governor von Lembke into a false sense of security, while Blum, a devoted but unlucky German relative, insists on searching Stepan Trofimovitch's home for forbidden literature, leading to a confrontation that ends with Yulia Mihailovna's entrance and Blum's departure, setting the stage for a public scandal.
Chapter 68
IV: All in Expectation
Yulia Mihailovna discusses her plans for a literary matinée and ball to benefit poor governesses, and expresses her admiration for Pyotr Verhovensky's influence over the younger generation. Varvara Petrovna becomes fascinated with Yulia Mihailovna and agrees to support the event, while tensions with Stepan Trofimovitch persist. The chapter also provides background on Andrey Antonovitch von Lembke, his education, and his relationship with his wife.
Chapter 69
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 70
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 71
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 72
On the Eve of the Fête
As the town prepares for the upcoming fête, tensions rise between Stepan Trofimovitch and Varvara Petrovna, culminating in his dramatic declaration of leaving everything behind. Meanwhile, a series of sacrilegious acts and scandalous pranks—including the theft of an icon and the planting of a mouse, the distribution of obscene photographs, and Lyamshin's musical burlesque—reveal the moral decay and social unrest that pervade the community.
Chapter 73
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 74
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 75
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 76
Pyotr Stepanovitch Is Busy
Pyotr Stepanovitch visits von Lembke to reassure him about the political situation and the upcoming fête, while Yulia Mihailovna dreams of uncovering a nihilist conspiracy. Von Lembke shows Pyotr an anonymous letter threatening rebellion, which Pyotr dismisses as a hoax. After Pyotr leaves, von Lembke is again troubled by doubts, and his relative Blum presses him on a separate matter.
Chapter 77
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 78
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 79
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 80
IV
Pyotr Stepanovitch manipulates Governor von Lembke into a false sense of security, while Blum, a devoted but unlucky German relative, insists on searching Stepan Trofimovitch's home for forbidden literature, leading to a confrontation that ends with Yulia Mihailovna's entrance and Blum's departure, setting the stage for a public scandal.
Chapter 81
V
Pyotr Stepanovitch visits Karmazinov, who eagerly awaits him and discusses the impending collapse of Russia and Europe, the revolutionary manifestoes, and the concept of honor. Karmazinov reveals his contempt for Stavrogin and his own plans to flee. Pyotr Stepanovitch hints at a timeline for the revolution, then departs for Filipov's house.
Chapter 82
VI
Pyotr Stepanovitch visits Kirillov to confirm his commitment to a suicide pact and to arrange for him to pose as an inspector at a meeting. He then goes to Shatov, demanding he attend the meeting and hand over the printing press and papers, despite Shatov's resistance. The chapter reveals the manipulative dynamics and underlying tensions among the revolutionary group.
Chapter 83
VII
Pyotr Stepanovitch visits Stavrogin and they discuss the upcoming meeting at Virginsky's house. Stavrogin learns that Mavriky Nikolaevitch has offered to give up his betrothed, Liza, to him. Pyotr Stepanovitch reveals his manipulative methods for controlling the revolutionary circle, including the use of titles, sentimentalism, and the suggestion of binding members through shared bloodshed.
Chapter 84
VII: A Meeting
A clandestine gathering of local radicals and intellectuals is convened, ostensibly to discuss revolutionary theory. Pyotr Verhovensky dominates the proceedings, dismissing gradualist approaches and Shigalov's theories as mere aesthetic entertainment, and pressing the group to commit to a more direct, destructive path. The meeting is marked by ideological posturing, personal insults, and a tense vote on whether to proceed as a formal meeting, culminating in Verhovensky's demand for a clear choice between slow reform and rapid, violent action.
Chapter 85
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 86
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 87
VIII: Ivan the Tsarevitch
Pyotr Verhovensky confronts Stavrogin about a threatening anonymous letter from Lebyadkin, demanding money to bribe him away. Stavrogin refuses, accusing Verhovensky of plotting to have his wife murdered. Fedka appears, confirming the price. Verhovensky then launches into a frenzied, ideological monologue about Shigalov's system of total equality through spying, corruption, and despotism, proposing Stavrogin as a legendary leader ('Ivan the Tsarevitch') to inspire the masses. Stavrogin dismisses him as mad and leaves, with Verhovensky vowing to bring him Liza and settle Marya Timofyevna's fate.
Chapter 88
IX: A Raid at Stepan Trofimovitch’s
Stepan Trofimovitch is raided by an official (Blum) who seizes his books, manuscripts, and letters. He recounts the event to the narrator with agitation and a strange sense of triumph, having hidden money in his waistcoat and lit a lamp before an icon to create a pious impression. Despite the narrator's advice to rest, Stepan insists on going out, leading to a further adventure that reveals unexpected spirit.
Chapter 89
X: Filibusters. A Fatal Morning
At a gathering hosted by Yulia Mihailovna, Stepan Trofimovitch engages in a strained conversation with Karmazinov about art and patriotism, while the governor Von Lembke grows increasingly agitated. The tension peaks when Liza publicly confronts Nikolay Stavrogin about Captain Lebyadkin's letters, and Stavrogin calmly admits to being married to Lebyadkin's sister for nearly five years. The revelation shocks everyone, especially Varvara Petrovna, and Stavrogin leaves disdainfully. Liza restrains herself from following him, and the evening ends in scandal and confusion.
Chapter 90
I
Andrey Antonovitch von Lembke, the governor, has a violent argument with his wife Yulia Mihailovna, accusing her of undermining his authority and of being involved with Pyotr Stepanovitch. He threatens to arrest Pyotr and nearly strikes her, then flees to his room in despair. The next morning, he learns she has gone to Skvoreshniki with a party, and in a confused state, he orders his carriage, only to stop in a field and stare at flowers before returning to town.
Chapter 91
II
Stepan Trofimovitch confronts Governor von Lembke about the illegal search of his home, leading to a tense exchange where Lembke initially mistakes him for a petitioner and angrily threatens to cancel the fête. After realizing the blunder, Lembke breaks down in despair, and Stepan Trofimovitch magnanimously withdraws his complaint just as Yulia Mihailovna returns with her party.
Chapter 92
III
The chapter depicts a social gathering at Yulia Mihailovna's, where Stepan Trofimovitch is publicly fêted after his morning arrest. Karmazinov and others engage in pretentious literary banter, while Yulia Mihailovna manipulates the scene to her advantage. Nikolay Stavrogin makes a brief, pointed entrance, and tensions simmer beneath the surface of polite society.
Chapter 93
The Fête—First Part
The fête proceeds despite the unrest of the previous day, with Yulia Mihailovna blind to the public's hostility. The event descends into chaos as various speakers, including Stepan Trofimovitch, are heckled and mocked by the crowd. A divinity student accuses Stepan Trofimovitch of selling Fedka the convict as a recruit years ago, leading to a furious reaction. Stepan Trofimovitch curses the audience and flees, while a third maniacal reader rushes onto the platform, escalating the scandal.
Chapter 94
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 95
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 96
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 97
IV
Arina Prohorovna, unaware of the previous day's conspiracy against Shatov, decides to attend to Marya Ignatyevna in childbirth after Shatov's desperate plea. She takes charge, dismissing Kirillov and managing the labor with a rational, unsentimental approach, while Marya, in pain and fear, oscillates between dependence on and hostility toward Shatov.
Chapter 98
II: The End of the Fête
The narrator recounts the disastrous conclusion of the fête, including the humiliating literary quadrille and the public scandal. He describes the town's reaction, the absence of high society, and the desperate attempts of Yulia Mihailovna to salvage the ball. The chapter also covers the narrator's visits to various characters, including Stepan Trofimovitch, Liza's house, Darya Pavlovna, and Shatov, as well as the aftermath of the day's events.
Chapter 99
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 100
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 101
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 102
IV
Arina Prohorovna, unaware of the previous day's conspiracy against Shatov, decides to attend to Marya Ignatyevna in childbirth after Shatov's desperate plea. She takes charge, dismissing Kirillov and managing the labor with a rational, unsentimental approach, while Marya, in pain and fear, oscillates between dependence on and hostility toward Shatov.
Chapter 103
III: A Romance Ended
In the aftermath of the fire, Liza confronts Stavrogin at Skvoreshniki, revealing her despair and self-destructive resolve. She recounts how Pyotr Verhovensky manipulated her with fantasies of a shared 'great idea' and a boat, leading her to ruin herself for Stavrogin. Stavrogin confesses he did not love her but accepted her sacrifice out of a last hope. Liza, rejecting his pity, leaves and is later attacked by a mob in the street, where she is struck down and dies, while Mavriky Nikolaevitch tries in vain to protect her.
Chapter 104
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 105
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 106
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 107
IV: The Last Resolution
Pyotr Stepanovitch is seen in an excited state, visiting Gaganov's house to discuss the previous day's events and deflecting blame onto Yulia Mihailovna and Stavrogin. He later meets with the quintet at Ensign Erkel's lodgings, where he distributes manifestos and orders Liputin to print them using Shatov's press. The chapter culminates in a violent confrontation with Fedka, who knocks Pyotr Stepanovitch unconscious, and a tense meeting with Kirillov to finalize plans for the next day.
Chapter 108
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 109
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 110
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 111
IV
Arina Prohorovna, unaware of the previous day's conspiracy against Shatov, decides to attend to Marya Ignatyevna in childbirth after Shatov's desperate plea. She takes charge, dismissing Kirillov and managing the labor with a rational, unsentimental approach, while Marya, in pain and fear, oscillates between dependence on and hostility toward Shatov.
Chapter 112
V: A Wanderer
Shatov is overwhelmed by the return of his estranged wife, Marya Shatov, who arrives unexpectedly at his lodgings. Despite their painful history and his own poverty, he desperately tries to care for her, fetching tea and wood while she oscillates between irritability and physical collapse. The chapter also reveals Shatov's inner turmoil following the recent catastrophe involving Liza and Marya Timofyevna, and his dangerous impulse to expose the perpetrators, which Pyotr Verhovensky seeks to forestall.
Chapter 113
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 114
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 115
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 116
IV
Arina Prohorovna, unaware of the previous day's conspiracy against Shatov, decides to attend to Marya Ignatyevna in childbirth after Shatov's desperate plea. She takes charge, dismissing Kirillov and managing the labor with a rational, unsentimental approach, while Marya, in pain and fear, oscillates between dependence on and hostility toward Shatov.
Chapter 117
V
Shatov visits Kirillov, who is preoccupied and speaks of experiencing moments of eternal harmony, describing a sensation of perfect joy and clarity that lasts only a few seconds. Shatov warns Kirillov that this sounds like epilepsy, but Kirillov dismisses the concern, saying it will not have time to develop.
Chapter 118
VI
Shatov assists his wife Marie through childbirth, with Arina Prohorovna's help. After the birth of their son Ivan, Shatov experiences a profound emotional transformation, embracing fatherhood and a new life. However, he is called away by Erkel to retrieve a buried printing press, leaving Marie and the baby behind.
Chapter 119
VI: A Busy Night
Pyotr Stepanovitch manipulates Kirillov into signing a false confession for Shatov's murder, exploiting Kirillov's suicidal philosophy. After a tense philosophical debate about God and self-will, Kirillov retreats to another room to shoot himself. When Pyotr Stepanovitch investigates the delay, Kirillov attacks him, biting his finger, before finally committing suicide with a revolver shot to the temple. Pyotr Stepanovitch retrieves the signed document and leaves.
Chapter 120
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 121
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 122
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 123
VII: Stepan Trofimovitch’s Last Wandering
Stepan Trofimovitch, driven by a mix of terror and pride, abandons his comfortable life to wander the high road, holding aloft the 'standard of a great idea.' He encounters Sofya Matveyevna, a Bible seller, and shares a passionate, delusional account of his past love for Varvara Petrovna. They travel together toward Spasov, and Stepan Trofimovitch, increasingly unwell, speaks of forgiveness, preaching the gospel, and the lofty idea of the open road.
Chapter 124
I
Stepan Trofimovitch, in a state of terror and desperation, flees on foot along the high road, rejecting Varvara Petrovna's charity to uphold his 'great idea.' He encounters a peasant couple who offer him a ride to a village, where he stops at a cottage, revives with pancakes and vodka, and momentarily forgets his anxieties.
Chapter 125
II
Stepan Trofimovitch, in a feverish and delirious state, interprets the Gospel story of the Gadarene swine as an allegory for Russia, identifying himself and others as the devils that must be cast out. He shares a fabricated romantic history with Sofya Matveyevna, suffers a physical collapse, and insists they remain alone together, reading scripture to divine their future.
Chapter 126
III
Varvara Petrovna arrives at the cottage where Stepan Trofimovitch lies ill, having tracked him down via Anisim's gossip. She initially berates Sofya Matveyevna, but after seeing Stepan's grave condition, she relents, brings Sofya back, and sends for Doctor Salzfish. Stepan, having confessed and taken the sacrament, expresses a newfound faith in God and love, declaring his immortality necessary because of his love for God. Varvara Petrovna, deeply moved, stays by his side through the night.
Chapter 127
VIII: Conclusion
The chapter concludes with Stavrogin's suicide by hanging in his wing at Skvoreshniki, after sending a letter to Darya Pavlovna proposing they live together in the canton of Uri. Varvara Petrovna and Dasha discover his body. The aftermath includes the arrests and fates of the conspirators: Lyamshin, Virginsky, Erkel, Liputin, and Tolkatchenko, with Lyamshin attempting to exonerate Stavrogin to gain favor. Society debates Pyotr Verhovensky's character, and Varvara Petrovna is left in shock.
Chapter 128
Endnotes
This chapter contains the translator's notes and references for the text, including explanations of Russian terms, allusions to Derzhavin's poetry, the Flagellant sect legend, and the historical significance of February 19, 1861, the date of the Emancipation of the Serfs.
