Demons · Chapter
IV: All in Expectation explained
Yulia Mihailovna discusses her plans for a literary matinée and ball to benefit poor governesses, and expresses her admiration for Pyotr Verhovensky's influence over the younger generation.
What happens
Yulia Mihailovna discusses her plans for a literary matinée and ball to benefit poor governesses, and expresses her admiration for Pyotr Verhovensky's influence over the younger generation. Varvara Petrovna becomes fascinated with Yulia Mihailovna and agrees to support the event, while tensions with Stepan Trofimovitch persist. The chapter also provides background on Andrey Antonovitch von Lembke, his education, and his relationship with his wife.
Themes in this chapter
Hypocrisy and Vanity in Society
Yulia Mihailovna's self-congratulatory plans and Varvara Petrovna's sudden fascination highlight the vanity and superficiality of the provincial elite.
Social and Political Upheaval
The chapter discusses the younger generation's radicalism, manifestoes, and the threat of revolution, reflecting the broader social turmoil.
The Mask and Identity
Pyotr Verhovensky's manipulative behavior and von Lembke's dual nature as a former school prankster turned official illustrate the theme of hidden identities.
Characters to notice
- Yulia Mihailovna
Arranges a literary matinée and ball for poor governesses, defends Pyotr Verhovensky, and influences her husband.
- Varvara Petrovna Stavrogin
Becomes fascinated with Yulia Mihailovna and agrees to support the festivities, while remaining distant from Stepan Trofimovitch.
- Pyotr Stepanovitch Verhovensky
Manipulates both his father and von Lembke, and is described as having designs on several victims.
- Andrey Antonovitch von Lembke
Governor who is influenced by his wife and is a target of Pyotr Verhovensky's schemes; his background and education are detailed.
- Stepan Trofimovitch Verhovensky
Remains at home, unaware of the plans, and is being considered for a reading at the matinée.
- Karmazinov
Contributes the idea of quadrilles in masks and plans to read his farewell piece 'Merci' at the matinée.
Key passages
“Fashions are changed then?”
Are tastes and trends different now?
A comment on changing artistic and social fashions.
“I’ve come to the conclusion, and adopted it as a principle, that one must be kind to the young people and so keep them from the brink.”
I have decided that being kind to the youth is the best way to prevent them from going astray.
Yulia Mihailovna's stated approach to managing the younger generation.
“He’s devoted to me with his whole heart and is guided by me in everything.”
He is completely loyal to me and follows my lead in all matters.
Yulia Mihailovna's confidence in Pyotr Verhovensky's loyalty.