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The Innocents Abroad · Chapter

XIII explained

The narrator and his companions hire a Parisian guide named Billfinger, whom they quickly rename Ferguson.

What happens

The narrator and his companions hire a Parisian guide named Billfinger, whom they quickly rename Ferguson. They attend the International Exposition and witness a grand military review featuring Emperor Napoleon III and Sultan Abdul-Aziz of Turkey, contrasting the two leaders and their respective civilizations.

Themes in this chapter

  • American vs. European Culture

    The Americans' reaction to the guide's name and their renaming him reflects cultural differences and a desire for romantic European names.

  • Satire of Tourism

    The hiring process and the guide's pretentious English satirize the tourist experience and the search for authenticity.

  • Colonialism and Otherness

    The stark contrast drawn between Napoleon III (progressive Europe) and Abdul-Aziz (backward Orient) reflects colonial attitudes.

Characters to notice

  • The Narrator

    Describes the hiring of the guide and the military review.

  • Dan

    Suggests renaming Billfinger to Ferguson.

  • The Doctor

    Comments on the guide's name and suggests romantic alternatives.

  • Billfinger

    The Parisian guide hired by the group, later renamed Ferguson.

  • Jack

    Mentioned as part of the group.

Key passages

  • He said the great International Exposition had drawn such multitudes of Englishmen and Americans to Paris that it would be next to impossible to find a good guide unemployed.

    The hotel clerk explained that the Exposition had attracted so many visitors that few good guides were available.

    Highlights the impact of the Exposition on tourism.

  • Napoleon III, the representative of the highest modern civilization, progress, and refinement; Abdul-Aziz, the representative of a people by nature and training filthy, brutish, ignorant, unprogressive, superstitious—and a government whose Three Graces are Tyranny, Rapacity, Blood.

    Napoleon symbolized modern progress, while Abdul-Aziz embodied a backward, oppressive culture.

    Contrast between Western and Eastern civilizations.