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Short Fiction · Chapter

A Day with Conrad Green explained

Conrad Green, a theatrical producer, wakes up depressed after a party, mourning his late secretary Herman Plant.

What happens

Conrad Green, a theatrical producer, wakes up depressed after a party, mourning his late secretary Herman Plant. He deals with a persistent blackmailer from Gay New York, a demanding new secretary, and a confrontation with a former mistress. He ultimately agrees to a benefit for Mrs. Bryant-Walker, but is haunted by his failure to attend Plant's funeral.

Themes in this chapter

  • Celebrity and Artistic Integrity

    Green's identity is tied to his public persona and social standing, which he actively cultivates. His artistic work is secondary to the business of maintaining his celebrity, as seen in his willingness to pay off a blackmailer.

  • Satire of Media and Business

    The chapter satirizes the corrupt relationship between media and business. Hawley's blackmail scheme is presented as a standard business practice, and Green's own business dealings are shown to be ruthless and self-serving.

  • Marriage and Gender Roles

    Green's marriage is transactional, with his wife feeling ignored and resentful of his social climbing. He also has a mistress, Rose, whom he has failed to support, highlighting the unequal power dynamics in his personal relationships.

Characters to notice

  • Mr. Green

    Conrad Green, a theatrical producer, is the protagonist. He is dealing with the death of his secretary, Herman Plant, and is being blackmailed by a tabloid reporter.

  • Hawley

    A persistent reporter from Gay New York who blackmails Green into buying advertising space to suppress a story about a gambling affair.

  • Mrs. Green

    The former Marjorie Manning, Green's young wife, who is frustrated with the social circles she is forced to navigate.

  • Mrs. Henry Spalding

    A woman who confronts Green at the restaurant, accusing him of breaking a promise to help her husband, Harry.

  • Mr. Robert Frisbie

    A young man who approaches Green at the restaurant, seeking a loan to support his wife, who is expecting a baby.

Key passages

  • Herman Plant was dead; Herman Plant, who had been his confidential secretary ever since he had begun producing; who had been much more than a secretary—his champion, votary, shield, bodyguard, tool, occasional lackey, and the butt of his heavy jokes and nasty temper.

    Green's long-time secretary, Herman Plant, who served many roles beyond his job description, has died.

    This establishes the loss of Plant and the complex, exploitative relationship Green had with him.

  • “I think,” he said, “we’ve met before.” “Not that I know of,” Green replied shortly.

    Hawley claims a prior acquaintance, but Green dismisses him.

    This is the opening move in Hawley's blackmail attempt, establishing a false familiarity.

  • “I’m sorry, Mr. Green, but we never do that.” “Well, then, of course you’ll have to give me a few days to get my ad fixed up. Say you come back here next Monday afternoon.”

    Green agrees to pay the full price for the ad, but asks for time to prepare it.

    This shows Green capitulating to the blackmail, but trying to maintain some control over the situation.

  • “Good God! So do I!” said Conrad Green.

    Green expresses deep regret over missing Plant's funeral.

    This final line reveals a moment of genuine remorse, contrasting with his otherwise self-centered behavior.