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Short Fiction · Chapter

The Music on the Hill explained

Sylvia Seltoun has successfully married Mortimer Seltoun against his family's wishes and brought him to his remote country estate, Yessney.

What happens

Sylvia Seltoun has successfully married Mortimer Seltoun against his family's wishes and brought him to his remote country estate, Yessney. She initially feels victorious but soon becomes unsettled by the wild, hostile atmosphere of the farm and woods. After discovering a votive offering to Pan and encountering a mysterious boy with evil eyes, she begins to fear the ancient forces Mortimer believes in. Her attempt to leave is thwarted, and during a walk she is fatally gored by a stag while hearing the same eerie boy's laughter, suggesting the Wood Gods have claimed her.

Themes in this chapter

  • Imagination vs. Reality

    Sylvia's rational disbelief in Pan clashes with the tangible, hostile presence of the Wood Gods, culminating in her death.

  • Cruelty and Violence

    The stag's fatal attack on Sylvia, orchestrated by unseen forces, highlights the brutal, indifferent nature of the wild.

Characters to notice

  • Sylvia Seltoun

    The protagonist who has just married Mortimer and brought him to Yessney; she grows increasingly fearful of the wild surroundings and the presence of Pan.

  • Mortimer Seltoun

    Sylvia's husband, called 'Dead Mortimer'; he believes in Pan and warns Sylvia to avoid the woods and horned beasts.

Key passages

  • The worship of Pan never has died out. Other newer gods have drawn aside his votaries from time to time, but he is the Nature-God to whom all must come back at last.

    Mortimer asserts that the ancient worship of Pan persists eternally, as he is the fundamental nature deity that all eventually return to.

    This dialogue establishes the central pagan theme and Mortimer's belief system.

  • I don't think you will ever go back to town.

    Mortimer calmly predicts that Sylvia will never leave Yessney, echoing his mother's earlier prophecy about himself.

    Foreshadows Sylvia's fate and the inescapable power of the place.