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My Four Weeks in France · Chapter

III: I Try to Get to the American Camp—But Meet Disaster explained

The narrator describes his frustrating attempts to secure passes to visit the American camp and the front lines, hindered by bureaucratic delays.

What happens

The narrator describes his frustrating attempts to secure passes to visit the American camp and the front lines, hindered by bureaucratic delays. He vividly recounts the perils of Parisian streets, including dangerous taxi rides and a comical air raid scare. The chapter culminates in a disastrous car trip with Howard and Joe, where the vehicle breaks down, leading to a series of misadventures involving a horse-drawn rescue and a costly repair.

Themes in this chapter

  • Bureaucratic Absurdity

    The narrator's repeated failures to obtain passes and the convoluted process for visiting the front highlight the absurdity of wartime bureaucracy.

  • Culture Clash and Humor

    The narrator's humorous observations about French driving habits, language misunderstandings, and the air raid scare underscore cultural differences.

  • Wartime Inconvenience and Danger

    The perils of Parisian taxis, the air raid warning, and the car breakdown illustrate the daily inconveniences and dangers of wartime life.

Characters to notice

  • Narrator

    The narrator struggles to obtain passes, navigates Parisian traffic, and recounts the failed car trip.

  • Mr. Kiley

    Mr. Kiley is sent to retrieve a car from Le Havre, faces bureaucratic harassment, and eventually drives the car to Paris with flat tires.

  • Howard

    Howard accompanies the narrator on the disastrous car trip and sleeps during the return train ride.

  • Joe

    Joe is too angry to speak after the car breakdown, only commenting 'This is a queer war.'

  • The Officer

    A British Intelligence officer repeatedly pressures Mr. Kiley to leave Le Havre.

Key passages

  • The gentlemen authorized to issue visitors’ passes to the American camp and the various fronts don’t seem to realize that a person may be in a hurry.

    The officials in charge of granting passes to the American camp and battlefields appear oblivious to the urgency of the situation.

    Highlights bureaucratic indifference to the narrator's time constraints.

  • Death from a taxi is the most likely form and the most distressing, for under the Parisian law the person run down and killed is the one at fault and the corpus delicti is liable to life imprisonment or worse.

    Being killed by a taxi is the most probable and upsetting fate, since Parisian law blames the pedestrian and can imprison the victim's body.

    Satirizes the absurdity of French traffic laws.

  • An American major—it is interdict by the censor to mention the names of any officers save General Sibert and General Pershing—asked a friend in London to buy him an automobile and ship it here for his use.

    An unnamed American major, whose name cannot be disclosed due to censorship, requested a friend in London to purchase and ship a car for him.

    Illustrates censorship restrictions and the major's reliance on others.

  • This is a queer war.

    This is a strange war.

    Joe's succinct comment encapsulates the absurdity of their misadventures.