Don Quixote · Chapter
Chapter IX explained
The narrator describes his frustration at the missing conclusion of Don Quixote's battle with the Biscayan.
What happens
The narrator describes his frustration at the missing conclusion of Don Quixote's battle with the Biscayan. He discovers the rest of the story in Arabic manuscripts purchased in Toledo, translated by a Morisco. The translation reveals the conclusion of the battle: Don Quixote defeats the Biscayan and forces him to present himself to Dulcinea.
Themes in this chapter
Literature and Metafiction
The narrator's discovery of the manuscript and commentary on the historian's biases emphasize the self-referential nature of the story.
Chivalry and Idealism
Don Quixote's demand that the defeated Biscayan present himself to Dulcinea exemplifies his chivalric code.
Reality vs. Illusion
The narrator's search for the 'true' history contrasts with the fictionalized, romanticized account of the battle.
Characters to notice
- Don Quixote
Defeats the Biscayan in combat and spares his life on condition that he go to Dulcinea.
- Sancho Panza
Depicted in the manuscript illustrations holding his ass's halter, with the label 'Sancho Zancas'.
- Dulcinea del Toboso
Mentioned in a marginal note about salting pigs; Don Quixote demands the defeated Biscayan present himself to her.
- Cide Hamete Benengeli
Identified as the Arab historian who authored the original manuscript of Don Quixote's history.
- Rocinante
Portrayed in the illustrations as long, thin, and lean, with a label at his feet reading 'Don Quixote'.
- The Biscayan
Engages in a fierce battle with Don Quixote, is defeated, and forced to promise to go to Dulcinea.
Key passages
“This Dulcinea del Toboso so often mentioned in this history, had, they say, the best hand of any woman in all La Mancha for salting pigs.”
A marginal note in the manuscript claims Dulcinea was renowned for her skill in salting pork.
This humorous aside undercuts the idealized image of Dulcinea.
“History of Don Quixote of La Mancha, written by Cide Hamete Benengeli, an Arab historian.”
The manuscript's title attributes the work to an Arab historian named Cide Hamete Benengeli.
Introduces the fictional author and adds a layer of metafictional commentary.
“It is the business and duty of historians to be exact, truthful, and wholly free from passion, and neither interest nor fear, hatred nor love, should make them swerve from the path of truth, whose mother is history.”
Historians must be objective and truthful, unbiased by personal feelings.
The narrator reflects on the ideal of historical accuracy, ironically within a fictional work.