Bulfinch’s Mythology · Chapter
Author's Preface explained
Thomas Bulfinch introduces his work on mythology, arguing that knowledge of classical and medieval fables is essential for understanding English literature.
What happens
Thomas Bulfinch introduces his work on mythology, arguing that knowledge of classical and medieval fables is essential for understanding English literature. He explains his method of retelling myths in prose to make them accessible and enjoyable, and emphasizes the cultural and educational value of these stories for American readers.
Themes in this chapter
Cultural Transmission and Education
Bulfinch argues that mythology is the handmaid of literature and essential for understanding allusions in poetry and prose, aiming to educate readers in a pleasurable way.
Characters to notice
- Ulysses
Mentioned as the prototype of the Siren in Orlando.
- Circe
Her character reappears in Alcina.
- Tristram
Referenced in the tale of Tristram and Isoude involving a magic draught.
- Isoude
Referenced in the tale of Tristram and Isoude involving a magic draught.
- Cupid
His story with Psyche is cited as the source of the fountains of Love and Hatred.
- Psyche
Her story with Cupid is cited as the source of the fountains of Love and Hatred.
Key passages
“Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.”
Understanding mythology is necessary to fully grasp and enjoy much of English literature.
Bulfinch emphasizes the practical utility of mythological knowledge for literary comprehension.
“Our work is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement.”
This book aims to make mythology enjoyable while still teaching it.
Bulfinch states his goal of combining education with entertainment.