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Yama · Chapter

VI explained

In a suburban cabaret, a group of wealthy socialites—Rovinskaya, the baroness Tefting, Ryazanov, and Volodya Chaplinsky—observe the artificial and tedious luxury of the establishment.

What happens

In a suburban cabaret, a group of wealthy socialites—Rovinskaya, the baroness Tefting, Ryazanov, and Volodya Chaplinsky—observe the artificial and tedious luxury of the establishment. Rovinskaya, bored and satiated, reflects on the lack of genuine spectacle in life, recounting only three strong impressions she has ever experienced. The chapter explores themes of ennui, the commodification of entertainment, and the hypocrisy of high society's pursuit of novelty.

Themes in this chapter

  • Hypocrisy of Society

    The wealthy characters seek out the brothel and cabaret as a form of 'modish snobbism,' revealing the double standards and performative curiosity of high society.

  • Dehumanization and Commodification

    The restaurant's atmosphere is described as an 'imitation of a gay, unseemly carouse,' with women strolling like commodities and the orchestra director portrayed as a 'man-prostitute.'

Characters to notice

  • Rovinskaya

    A celebrated cantatrice with green Egyptian eyes, she expresses boredom and satiation with life, recounting her few powerful impressions.

  • Volodya Chaplinsky

    A rich young composer-dilettante secretly in love with Rovinskaya, he obediently follows her whims and is questioned about his visits to brothels.

  • Ernst Andreievich Ryazanov

    A famous lawyer with a velvety voice, he engages in philosophical banter about cruelty and the nature of spectacle.

  • Ellena Victorovna

    The baroness Tefting, a pale and exquisite woman, she appears bored and makes cynical remarks about the dreariness of the entertainment.

Key passages

  • Ave, Caesar, morituri te salutant!

    Hail, Caesar, those who are about to die salute you!

    Ryazanov quotes this Latin phrase to evoke the spectacle of death and cruelty, reflecting the chapter's meditation on entertainment and mortality.

  • How much cruelty there is in you

    You have a great deal of cruelty within you.

    The baroness comments on Ryazanov's fascination with the idea of friends meeting as adversaries, highlighting the theme of moral corruption.

  • And so, you'll carry us at once over there in the automobile and acquaint us with this existence, which is foreign to me.

    So you will immediately take us there in the car and introduce us to this way of life that is unfamiliar to me.

    Rovinskaya insists on visiting a brothel, demonstrating her desire for novel experiences and the hypocrisy of slumming among the upper class.