Women in Love · Chapter
XXXI: Exeunt explained
Following Gerald's death in the Alps, his body is brought home.
What happens
Following Gerald's death in the Alps, his body is brought home. Gudrun remains cold and detached, avoiding contact. Birkin and Ursula arrive; Birkin confronts the frozen corpse and reflects on death, love, and the possibility of eternal union with a man. The chapter ends with Birkin's philosophical meditation on the nonhuman mystery and the potential dispensability of man.
Themes in this chapter
Death, Destruction, and the Will to Power
Gerald's frozen corpse and Birkin's horror at the 'dead mass of maleness' underscore the theme of death as an ultimate, cold reality.
Human Connection and Isolation
Birkin's desire for an 'eternal union with a man' contrasts with Ursula's rejection of that need, highlighting the tension between connection and isolation.
Male-Female Polarity and Power
The conflict between Birkin and Ursula over the possibility of male friendship reflects the struggle between male and female perspectives on love and intimacy.
Characters to notice
- Ursula Brangwen
Ursula accompanies Birkin, weeps for Gerald, and questions Birkin's need for a male friend.
- Gudrun Brangwen
Gudrun remains impassive and cold after Gerald's death, avoids contact, and feels trapped by the tragedy.
- Rupert Birkin
Birkin is deeply affected by Gerald's death, touches the frozen body, and reflects on love, death, and the need for a male bond.
- Gerald Crich
Gerald is found dead, frozen in the snow; his body is brought home and viewed by Birkin.
- Loerke
Loerke is present at the hotel, crushed and emotionless; Gudrun seeks him out after Gerald's death.
Key passages
“It's a bitter thing to me... What—that he's dead? she said. His eyes just met hers. He did not answer.”
Birkin finds Gerald's death deeply painful, but when Ursula asks if that is the cause, he remains silent, suggesting a more complex grief.
Birkin's grief is not solely for Gerald's death but for the loss of a potential bond.
“You are enough for me, as far as a woman is concerned. You are all women to me. But I wanted a man friend, as eternal as you and I are eternal.”
Birkin tells Ursula she satisfies him completely as a woman, but he also longs for a permanent male friendship.
This reveals Birkin's ideal of a dual love—heterosexual and homosocial—which Ursula rejects.
“God cannot do without man... But surely this is false. God can do without man.”
Birkin refutes the idea that humanity is essential to the divine, suggesting the creative mystery could dispense with humans as it did with extinct species.
Birkin's philosophical conclusion emphasizes the nonhuman, indifferent nature of the universe.