Women in Love · Chapter
Rabbit explained
Gudrun goes to Shortlands to become Winifred Crich's art tutor, knowing it means accepting Gerald as a lover.
What happens
Gudrun goes to Shortlands to become Winifred Crich's art tutor, knowing it means accepting Gerald as a lover. She meets the detached, ironic child Winifred and her pets. Gerald returns and they share an intense, obscene recognition while handling a rabbit, solidifying their dark bond.
Themes in this chapter
Male-Female Polarity and Power
Gudrun and Gerald's encounter with the rabbit reveals a mutual, obscene recognition of power and initiation, marking their relationship as one of dark polarity.
Human Connection and Isolation
Gudrun's connection with Winifred is playful yet detached, while her bond with Gerald is intense but isolating, highlighting the characters' fundamental separateness.
Art, Sensibility, and the Artist
Gudrun and Winifred engage in drawing pets as a form of creative expression, with Winifred's sketches revealing a wicked, ironic sensibility.
Characters to notice
- Gudrun Brangwen
Arrives at Shortlands as Winifred's tutor, aware it signifies accepting Gerald as a lover; engages in drawing sessions and a tense rabbit encounter with Gerald.
- Gerald Crich
Returns to Shortlands and shares a moment of obscene recognition with Gudrun while handling the rabbit.
- Winifred Crich
Detached, ironic child who bonds with Gudrun over drawing her pets, especially the rabbit Bismarck.
- Thomas Crich
Introduces Gudrun to Winifred and approves her role as tutor.
- Fräulein März
The French governess who accompanies Winifred and shows slight insolence toward Gudrun.
Key passages
“Gudrun knew that it was a critical thing for her to go to Shortlands. She knew it was equivalent to accepting Gerald Crich as a lover.”
Gudrun understood that visiting Shortlands meant she was essentially agreeing to become Gerald's lover.
Highlights Gudrun's awareness of the stakes in her relationship with Gerald.
“She was as if working the spell of some enchantment.”
She seemed to be casting a magical spell while drawing.
Describes Winifred's intense, almost mystical concentration during art.
“There was a queer, faint, obscene smile over his face. She looked at him and saw him, and knew that he was initiate as she was initiate.”
Gerald's smile was strange and indecent; Gudrun recognized that he shared her dark, knowing perspective.
Captures the mutual recognition of a hidden, primal understanding between Gerald and Gudrun.