With the Empress Dowager of China · Chapter
VI: Continuation of the Portrait—Her Majesty’s Dogs explained
The chapter details the ongoing portrait sittings with the Empress Dowager, which are more social than productive.
What happens
The chapter details the ongoing portrait sittings with the Empress Dowager, which are more social than productive. Carl observes the Empress's personality and the court's customs, particularly the walks and the Empress's beloved dogs. Carl's growing friendship with a puppy leads to a gift from the Empress, and she reflects on the challenges of balancing her work with the court's leisurely pace.
Themes in this chapter
Observation and Interpretation
Carl studies the Empress Dowager's personality and the court's dynamics, interpreting her actions and expressions.
Art and Representation
The portrait sittings highlight the tension between artistic creation and the Empress's view of it as an amusement, as well as the cultural taboo against portraiture.
Cultural Identity and Tradition
The chapter reveals Chinese customs regarding dogs, court rituals, and the Empress's role, contrasting with Carl's foreign perspective.
Characters to notice
- Empress Dowager Tze-Hsi
The Empress Dowager poses for the portrait, studies Carl, and shows her fondness for dogs, eventually gifting Carl a puppy named Me-lah.
- Katherine A. Carl
Carl works on the portrait, observes the Empress and court life, and forms a bond with a Pekingese puppy.
- Emperor Kwang-Hsu
Mentioned as part of the court, but not directly featured in this chapter.
- Lady Yu-Keng
Part of the court entourage, but not individually featured.
- Prince Ch'un
Part of the court, but not directly mentioned in this chapter.
- Prince Ching
Part of the court, but not directly mentioned in this chapter.
Key passages
“Sitting for her portrait seemed to be looked on somewhat in the light of an amusement by the Empress Dowager, as a time for conversation and relaxation.”
The Empress Dowager treated the portrait sessions as a leisure activity for chatting and unwinding.
Highlights the Empress's casual attitude toward the portrait, contrasting with Carl's professional urgency.
“I knew that the 'favor of kings' is uncertain, and I feared Her Majesty might soon tire of this new departure, of having her portrait painted!”
Carl worried that the Empress's interest might wane, given the unpredictable nature of royal favor.
Reflects Carl's anxiety about the project's stability and the cultural opposition to portraiture.
“It seems her dogs never noticed anyone but herself, and she appeared not to like her pets being so friendly with a stranger at first sight.”
The Empress seemed displeased that her dogs warmed up to Carl so quickly, as they usually only paid attention to her.
Illustrates the Empress's possessiveness and the subtle social cues Carl had to navigate.