What’s Wrong with the World · Chapter
The Broken Rainbow explained
Chesterton uses the example of color in modern advertising versus medieval art to argue that the problem with modern life is not a lack of color or sensory experience, but a loss of the philosophy and significance behind colors.
What happens
Chesterton uses the example of color in modern advertising versus medieval art to argue that the problem with modern life is not a lack of color or sensory experience, but a loss of the philosophy and significance behind colors. He contrasts the chaotic, commercial use of color in posters with the intentional, symbolic use in medieval art, and extends this parable to education, ethics, and politics, noting that modern Conservatives have become revolutionists who no longer conserve.
Themes in this chapter
Tradition vs. Progress
Chesterton contrasts the medieval approach to color (symbolic, thrifty, authoritative) with modern commercial use (chaotic, trivial, profit-driven), arguing that progress has lost the deeper meaning.
Education and Authority
The chapter argues that modern education fails to teach children a philosophy of color or ethics, instead offering crudities and popular fallacies from both political sides.
Imperialism and National Weakness
Chesterton criticizes the habit of flying a flag on Empire Day as un-English and symptomatic of a loss of true patriotism, linking it to the broader failure of modern ideals.
Characters to notice
- Reckitt
Referenced in the context of Reckitt's Blue as a brand of blue dye, symbolizing the commercial appropriation of color.
- Morris
Mentioned as an aesthetic medievalist who contrasted the bright clothing of Chaucer's time with the dullness of Queen Victoria's era.
- Queen Victoria
Referenced as a point of comparison for the dullness of modern crowds versus medieval ones.
- The English
Implied in the critique of flying a flag on Empire Day as un-English, and in the discussion of modern patriotism.
Key passages
“It is not colours he lacks, but a philosophy of colours.”
The child has plenty of sensory stimulation but no understanding of the meaning or value behind it.
Central thesis of the chapter: modern abundance lacks guiding principles.
“The modern Conservative no longer conserves. He is avowedly an innovator.”
Today's Conservatives have abandoned their traditional role of preserving institutions and instead embrace radical change.
Chesterton critiques the paradoxical nature of modern Toryism.