Vanity Fair · Chapter
Private and Confidential explained
Becky Sharp writes a letter to Amelia Sedley describing her journey to Queen's Crawley and her first impressions of Sir Pitt Crawley and his household.
What happens
Becky Sharp writes a letter to Amelia Sedley describing her journey to Queen's Crawley and her first impressions of Sir Pitt Crawley and his household. The narrator interjects with commentary on the nature of storytelling and morality.
Themes in this chapter
Vanity and Hypocrisy
Becky's letter reveals her own vanity and the hypocrisy of Sir Pitt's pretensions, while the narrator comments on the vanity of society.
Social Class and Ambition
Becky's ambition is evident as she navigates the Crawley household, and Sir Pitt's vulgarity contrasts with his title.
Appearance vs. Reality
The discrepancy between Becky's expectations of a baronet and the reality of Sir Pitt's behavior underscores this theme.
Characters to notice
- Becky Sharp
Writes a candid letter to Amelia, revealing her wit and critical observations of Sir Pitt and his estate.
- Amelia Sedley
The recipient of Becky's letter, now at home with her family and her fiancé George Osborne.
- Sir Pitt Crawley
Depicted as vulgar, stingy, and coarse, contrasting sharply with Becky's romantic expectations of a baronet.
- Pitt Crawley
Mentioned as reading sermons in the evening and being locked in his study or riding on county business.
- Rawdon Crawley
Not directly present but implied as part of the Crawley family; the letter mentions 'Mr. Crawley' (likely Pitt) but not Rawdon.
Key passages
“Fancy an old, stumpy, short, vulgar, and very dirty man, in old clothes and shabby old gaiters, who smokes a horrid pipe, and cooks his own horrid supper in a saucepan.”
Imagine a short, stout, vulgar, and filthy old man in worn-out clothes and dirty gaiters, who smokes a terrible pipe and prepares his own awful supper in a pot.
Becky's vivid description of Sir Pitt Crawley, emphasizing his lack of refinement.
“He never gives any money to anybody, they said (and this meanness I hate); and the young gentleman made me remark that we drove very slow for the last two stages on the road, because Sir Pitt was on the box, and because he is proprietor of the horses for this part of the journey.”
They said he never gives money to anyone, and I despise such stinginess. The young man pointed out that we traveled slowly because Sir Pitt was driving and owned the horses.
Becky observes Sir Pitt's miserliness, a trait she detests.
“A tempest in a slop-basin is absurd. We will reserve that sort of thing for the mighty ocean and the lonely midnight.”
A storm in a washbasin is ridiculous. We will save such drama for the vast ocean and the solitary midnight.
The narrator's meta-commentary on the scale of storytelling, promising greater drama later.