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Under Western Eyes · Chapter

IV explained

The narrator reflects on his concern for Nathalie Haldin's involvement with the revolutionary circle at Château Borel, particularly Madame de S——.

What happens

The narrator reflects on his concern for Nathalie Haldin's involvement with the revolutionary circle at Château Borel, particularly Madame de S——. He learns from Miss Haldin about Peter Ivanovitch's abusive outburst over eggs and her encounter with a downtrodden lady companion. The narrator reveals his knowledge of Madame de S——'s scandalous past, including her flight from Russia after being suspected of foreknowledge of the assassination of Emperor Alexander. Days later, he meets Nathalie in the Bastions promenade and observes a new spring-like vitality in her, while worrying about the influence of the Château Borel and the mysterious friend of her brother, Razumov.

Themes in this chapter

  • Western vs. Eastern Perspective

    The narrator explicitly frames the story as 'a Russian story for Western ears,' highlighting the difficulty of making Russian moral and political realities credible to a Western audience.

  • The Role of Women

    The chapter contrasts Nathalie Haldin's sincere humanity with Madame de S——'s manipulative feminism and the abused lady companion's servitude, exploring different female roles in revolutionary circles.

  • Truth and Falsehood

    The narrator's knowledge of Madame de S——'s past and his concern about the 'baser instincts of mankind' versus Nathalie's 'unconsciously lofty ignorance' reflect a tension between hidden truths and naive idealism.

Characters to notice

  • Miss Haldin

    Nathalie Haldin recounts her visit to Château Borel, expressing indignation at Peter Ivanovitch's treatment of the lady companion; later she is seen walking in the Bastions, showing a newfound springlike vitality.

  • Peter Ivanovitch

    The great feminist is described as having made a shameful scene over eggs, abusing the lady companion in front of strangers.

  • Madame de S

    The narrator reveals her scandalous history: suspected of foreknowledge of the assassination of Emperor Alexander, she fled Russia; she is described as avaricious, greedy, unscrupulous, and nearly spirited away to a madhouse.

  • Razumov

    Referred to as the 'wonderful friend' of Victor Haldin and the only name in the correspondence; the narrator wonders why he has not yet called on the Haldin ladies and anticipates his role in Geneva.

  • Victor Haldin

    The late brother is remembered as a 'pure enthusiast' rather than a sinister conspirator; his sincerity and moral suffering are emphasized.

  • Tekla

    The lady companion at Château Borel, described as a disciple of the old apple-woman, a voluntary servant of the poor, and subjected to Peter Ivanovitch's abuse over eggs.

Key passages

  • Chez nous in this connection meant Russia in general, and the Russian political police in particular.

    The phrase 'chez nous' here refers broadly to Russia, and specifically to the Russian secret police.

    The narrator clarifies the context of his source's remark about Madame de S—— being considered dangerous.

  • I wanted to bring it forward simply to make what I have to say presently of Mr. Razumov's presence in Geneva, a little more credible—for this is a Russian story for Western ears, which, as I have observed already, are not attuned to certain tones of cynicism and cruelty, of moral negation, and even of moral distress already silenced at our end of Europe.

    The narrator explains that he provides background on Madame de S—— to make Razumov's arrival in Geneva believable, since Western readers are unfamiliar with the harsh moral and emotional realities of Russian life.

    This directly addresses the theme of Western vs. Eastern perspective.

  • I had a positive abhorrence for the painted, bedizened, dead-faced, glassy-eyed Egeria of Peter Ivanovitch.

    The narrator expresses strong disgust for Madame de S——, describing her as a gaudy, lifeless muse to Peter Ivanovitch.

    The narrator's personal animosity toward Madame de S—— is vividly conveyed.

  • All the glory of the season must have been within herself—and I was glad this feeling had come into her life, if only for a little time.

    The narrator observes that Nathalie's inner joy, not the external spring day, is the source of her radiance, and he is pleased she has found some happiness.

    Reflects the narrator's protective affection for Miss Haldin and his hope for her well-being.