Uncle Silas · Chapter
III: A New Face explained
Maud reflects on a childhood walk with a Swedenborgian visionary after her mother's death, which shaped her fearful and mystical associations with death and the supernatural.
What happens
Maud reflects on a childhood walk with a Swedenborgian visionary after her mother's death, which shaped her fearful and mystical associations with death and the supernatural. These memories color her current melancholy as she awaits her father's mysterious visitor.
Themes in this chapter
Religion and Morality
Maud's childhood encounter with Swedenborgian mysticism contrasts with conventional Anglican piety, exploring spiritual fear and the nature of the afterlife.
Gothic Atmosphere and Fear
The moonlit landscape, the tomb, and the eerie visionary create a Gothic mood of melancholy and supernatural dread.
Characters to notice
- Maud Ruthyn
Narrator, recalling a childhood memory of a walk with a Swedenborgian visionary after her mother's death.
- Austin Ruthyn
Maud's father, mentioned in connection with his mysterious intimations and the approaching visitor.
- Mrs. Rusk
Housekeeper who disapproved of the Swedenborgian visionary and scolded Mary Quince for allowing the walk.
- Mary Quince
Maud's maid, mentioned as being blamed by Mrs. Rusk for the walk with the visionary.
- Doctor Clay
Local clergyman, mentioned as being available but overlooked in favor of the Swedenborgian.
Key passages
“I think it was about a fortnight after that conversation in which my father had expressed his opinion, and given me the mysterious charge about the old oak cabinet in his library, as already detailed, that I was one night sitting at the great drawing-room window, lost in the melancholy reveries of night, and in admiration of the moonlighted scene.”
About two weeks after my father gave me the strange instructions about the oak cabinet, I sat alone by the drawing-room window one night, absorbed in sad thoughts and the beauty of the moonlit view.
Sets the scene for Maud's reflective mood and the impending arrival of a visitor.
“Your mamma is alive, but too far away to see or hear us. Swedenborg, standing here, can see and hear her, and tells me all he sees, just as I told you in the garden about the little boys and the cottage, and the trees and flowers which you could not see, but believed in when I told you.”
The visionary tells Maud that her mother is alive in a distant spiritual realm, and that Swedenborg can perceive her, just as he earlier described unseen things that later proved true.
Illustrates the Swedenborgian belief in spiritual sight and the afterlife, which deeply frightened young Maud.