All chapters

There Is Confusion · Chapter

XIV explained

Maggie Ellersley, now married to Henderson Neal, experiences a brief period of comfort and generosity in Atlantic City, but soon faces social isolation and the harsh realities of racial discrimination.

What happens

Maggie Ellersley, now married to Henderson Neal, experiences a brief period of comfort and generosity in Atlantic City, but soon faces social isolation and the harsh realities of racial discrimination. Upon returning to Philadelphia, she befriends Annie Mason, but her world shatters when she learns from Annie's brother Thomas that Neal is a notorious cardsharp and gambler. Confronting him, she declares her intention to leave, but he threatens her, revealing his violent temper.

Themes in this chapter

  • Class and Social Mobility

    Maggie's marriage to Neal initially offers material comfort and a chance at respectability, but his gambling undermines her aspirations for social standing and acceptance among 'impeccable' women.

  • Gender and Women's Roles

    Maggie's dependence on her husband for money and social identity is starkly revealed; her desire for domesticity and friendship contrasts with Neal's control and temper.

  • Racial Prejudice and Identity

    Maggie faces racial discrimination in Atlantic City theaters and struggles to find her place within the colored community, feeling cut off from the Marshalls and lacking background.

Characters to notice

  • Maggie Ellersley

    Now married to Henderson Neal, Maggie enjoys material comfort but struggles with social isolation and shame over her husband's grammar. She discovers Neal's true profession as a gambler and resolves to leave him.

  • Henderson Neal

    Maggie's husband, revealed to be a cardsharp and gambler. He is generous and kind to Maggie but has a terrible temper and threatens her when she confronts him.

  • Annie Mason

    A friendly neighbor who becomes Maggie's close companion. She inadvertently reveals Neal's past through her brother Thomas.

  • Thomas Mason

    Annie's brother, a musician who plays for wealthy white clients. He reluctantly tells Maggie the truth about Neal's gambling history.

  • Joanna Marshall

    Mentioned as a mezzo-soprano performing with the Philadelphia Orchestra, causing Maggie a pang of pain.

  • Philip Marshall

    Briefly thought of by Maggie as a contrast to Neal, imagining a more domestic life with him.

  • Alice Talbert

    A respectable acquaintance Maggie meets on Christian Street; her doubtful greeting underscores Maggie's social isolation.

Key passages

  • Poor Maggie! How relentlessly and completely had her illusions flown!

    Maggie's romantic dreams have been shattered.

    Opening line sets the tone for Maggie's disillusionment in marriage.

  • She did not know the world held such as these.

    Atlantic City's wonders were beyond anything she had imagined.

    Maggie's awe at the boardwalk and shops reflects her limited experience.

  • Better do without the theater forever, she thought, than be the cause of awakening his savage wrath.

    She decided to avoid theaters entirely rather than provoke her husband's anger.

    Maggie's fear of Neal's temper leads her to give up a cherished pleasure.

  • She had wanted so to be decent, and she was a gambler's wife. God! how funny!

    Her desire for respectability is cruelly mocked by her husband's true profession.

    Maggie's bitter realization of the irony of her situation.

  • I wish you would kill me.

    She would rather die than continue in this marriage.

    Maggie's desperate response to Neal's threat, showing her despair.