The Works of Max Beerbohm · Chapter
Diminuendo explained
Beerbohm reflects on his disillusionment at Oxford, his encounter with Walter Pater, and his decision to retreat from the chaotic modern world into a quiet suburban life dedicated to intellectual contemplation rather than active pursuit of
What happens
Beerbohm reflects on his disillusionment at Oxford, his encounter with Walter Pater, and his decision to retreat from the chaotic modern world into a quiet suburban life dedicated to intellectual contemplation rather than active pursuit of sensation.
Themes in this chapter
Dandyism and Aestheticism
Beerbohm critiques the pursuit of sensation and aesthetic experience, ultimately choosing a life of quiet intellectualism over active aestheticism.
Critique of Modernity and Progress
The chapter laments the loss of beauty and tradition at Oxford due to industrialization and modern transportation.
The Artist as Detached Observer
Beerbohm resolves to observe the world from a distance, using his imagination rather than engaging directly with life.
Characters to notice
- Max Beerbohm
The narrator, a freshman at Oxford in 1890, who decides to retire to a suburban villa to live a life of quiet contemplation.
- Mr. Walter Pater
Seen at Ryman's; Beerbohm describes his disappointment upon seeing Pater and critiques his style and philosophy.
- King George IV
Mentioned in the context of royal pets and the emptiness of a life of pleasure.
Key passages
“I remember how my tutor asked me what lectures I wished to attend, and how he laughed when I said that I wished to attend the lectures of Mr. Walter Pater.”
My tutor laughed when I told him I wanted to attend Pater's lectures.
Beerbohm's early admiration for Pater is met with amusement.
“I would make myself master of some small area of physical life, a life of quiet, monotonous simplicity, exempt from all outer disturbance.”
I will live a simple, quiet life, free from external disturbances.
Beerbohm's resolution to retreat from the world.