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The Wonderful Visit · Chapter

IX: Parenthesis on Angels explained

The narrator clarifies that the Angel in this story is the Angel of Art, specifically from Italian art, not the domestic, feminine angel of Teutonic invention or the powerful angels of Hebrew tradition.

What happens

The narrator clarifies that the Angel in this story is the Angel of Art, specifically from Italian art, not the domestic, feminine angel of Teutonic invention or the powerful angels of Hebrew tradition. The Vicar shot a polychromatic, gay creature from the land of beautiful dreams, not a religious or popular angel.

Themes in this chapter

  • Art, Beauty, and Transcendence

    The chapter distinguishes the Angel of Art from religious or popular angels, emphasizing the artistic and beautiful nature of the creature.

Characters to notice

  • The Angel

    Identified as the Angel of Art, from Italian tradition, polychromatic and gay, not the domestic Teutonic angel or Hebrew spirits.

  • The Vicar

    Referenced as the one who shot the Angel, though the chapter is a parenthetical clarification.

Key passages

  • “Let us be plain. The Angel of this story is the Angel of Art, not the Angel that one must be irreverent to touch⁠—neither the Angel of religious feeling nor the Angel of popular belief.”

    The narrator clarifies that the Angel in this story is a figure of art, not a religious or folkloric angel.

    Sets the thematic foundation for the chapter.

  • “But this Angel the Vicar shot is, we say, no such angel at all, but the Angel of Italian art, polychromatic and gay.”

    The Angel shot by the Vicar is actually a colorful, joyful figure from Italian art, not a conventional angel.

    Directly ties to the timeline event of the Vicar shooting the Angel.

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