The Way of All Flesh · Chapter
Chapter XXXVI explained
The narrator describes the aftermath of Alethea Pontifex's death, her family's reaction to her will, and the funeral at Paleham.
What happens
The narrator describes the aftermath of Alethea Pontifex's death, her family's reaction to her will, and the funeral at Paleham. He reflects on his childhood with Alethea and receives a letter from Ernest suggesting a musical epitaph.
Themes in this chapter
Money and Social Class
Alethea's will provokes family fury, revealing underlying greed and class tensions.
Self-Discovery and Authenticity
Ernest's choice of a musical epitaph reflects his emerging individuality and introspection.
Characters to notice
- Alethea Pontifex
Dies after a brief illness; her will causes family conflict; buried at Paleham.
- Theobald Pontifex
One of the siblings who comes to Roughborough; least burdensome to Alethea.
- Ernest Pontifex
Writes to his godfather suggesting a Handel fugue for Alethea's epitaph.
- Mr. Overton
The narrator; accompanies Alethea's body to Paleham and arranges her funeral.
- George Pontifex
Mentioned as old Mr. Pontifex; his cottage site is now a railway station.
- Mrs. Pontifex
Old Mrs. Pontifex; Alethea is buried near her grave.
Key passages
“I knew how they had all of them—perhaps Theobald least, but all of them more or less—made her life a burden to her until the death of her father had made her her own mistress”
The narrator reflects that all of Alethea's siblings, especially Theobald, had made her life difficult until she inherited her father's estate.
Highlights family dynamics and the theme of parental tyranny.
“I felt like the changeling in the fairy story who came back after a seven years’ sleep.”
Returning to Paleham after six years, the narrator feels alienated and out of place.
Emphasizes the narrator's emotional response to change and loss.
“Choosing his own epitaph at fifteen as for a man who 'had been very sorry for things,' and such a strain as that—why it might have done for Leonardo da Vinci himself.”
The narrator is struck by Ernest's precocious and serious choice of a musical epitaph, comparing it to something Leonardo da Vinci might have chosen.
Illustrates Ernest's early depth and the narrator's mixed admiration and skepticism.