The Walls of Jericho · Chapter
The Box of J. Pennington Potter explained
At the Manhattan Casino, J.
What happens
At the Manhattan Casino, J. Pennington Potter hosts a racially mixed social gathering in his box, aiming to foster harmony through admixture. The guests include the Dunns, who view Harlem as 'marvelous' material, the jealous Hon. Buckram Byle and his wife Nora, and Fred Merrit and Miss Agatha Cramp. Merrit, incognito, engages in a sardonic conversation with Miss Cramp, who reveals her patronizing and ignorant views on race, evolution, and environment. The chapter exposes the hypocrisy, condescension, and complex motives of the white visitors, while also highlighting the underlying tensions and Merrit's personal struggles with his own identity and heritage.
Themes in this chapter
Identity and Self-Deception
Fred Merrit conceals his true identity to mock Miss Cramp's ignorance, while Miss Cramp's entire worldview is built on self-deception about race and evolution. The chapter explores how individuals hide their true selves and beliefs in social settings.
Power and Control
The white guests, like the Dunns and Miss Cramp, attempt to exert intellectual and social control over the Harlem scene, defining it as 'primitive' or 'marvelous' for their own purposes. Merrit's secret mockery is a subtle act of reclaiming power.
Secrets and Revelation
Merrit's hidden identity is a central secret in the chapter. His conversation with Miss Cramp is a series of veiled revelations, where he reveals his true feelings through sarcasm without exposing who he is.
Characters to notice
- Fred Merrit
Present in Potter's box, he engages in a sarcastic dialogue with Miss Cramp, concealing his identity and using the conversation to vent his frustrations about racial prejudice and his own mixed heritage.
- Miss Agatha Cramp
A guest in the box, she displays a patronizing and pseudo-scientific curiosity about race, making ignorant comments about evolution and skin color, which Merrit subtly mocks.
- J. Pennington Potter
The host of the gathering, he is proud and pompous, believing that social admixture is the solution to racial problems. He holds forth on the naming conventions of Negro organizations.
- Nora Byle
The pretty wife of the Hon. Buckram Byle, she dances with Tony Nayle to aggravate her jealous husband and is later asked to dance by Noel Dunn.
- The Hon. Buckram Byle
An ex-alderman who stands apart, scowling, due to his jealousy over his wife Nora's dancing. He resolves to take her home immediately.
- Noel Dunn
The Nordic editor of an anti-Nordic journal, he and his wife are frequent visitors to Harlem, finding the Potters useful for their own purposes. He asks Nora Byle to dance.
Key passages
“Prejudice and misunderstanding were due to mutual ignorance and ignorance due to silence. This silence must be broken. How break it save by acquaintanceship—how acquaint save by admixture?”
Potter believes that racial prejudice stems from a lack of contact between groups, and that only by mixing socially can people get to know each other and overcome their ignorance.
This summarizes Potter's core philosophy that drives the entire social experiment of the chapter.
“They seemed rather some turbulent congress of bright colored, inanimate things, propelled by a force over which they had no control.”
From above, the dancers look like a chaotic collection of colorful objects, moved by an unseen, powerful current rather than their own will.
This simile dehumanizes the dancers, reflecting the detached and objectifying perspective of the observers in the box.
“How primitive these people are... So primeval. So unspoiled by civilization.”
Miss Cramp views the Black dancers as being in a natural, uncivilized state, which she finds both fascinating and in need of 'education'.
This quote highlights Miss Cramp's patronizing and racist worldview, which Merrit then mocks.
“Environment is a powerful influence, Miss Cramp... Climate undoubtedly. Climate. Changed conditions of heat and moisture and so on.”
Merrit sarcastically agrees with Miss Cramp's absurd theory that climate alone has caused the variety of skin colors among African Americans, playing along with her ignorance.
This shows Merrit's strategy of using irony to expose the foolishness of Miss Cramp's ideas without directly confronting her.