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The Trail of the Serpent · Chapter

Bad Dreams and a Worse Waking explained

A month after Gaston de Lancy's suspicious death, Valerie de Cevennes, still recovering from a delirious illness, is removed to her uncle's decaying château in Normandy.

What happens

A month after Gaston de Lancy's suspicious death, Valerie de Cevennes, still recovering from a delirious illness, is removed to her uncle's decaying château in Normandy. Haunted by guilt and despair, she refuses religious consolation and waits for death. Raymond Marolles arrives, claiming his reward for his services in the murder, and the two engage in a tense confrontation.

Themes in this chapter

  • Crime and Injustice

    Gaston de Lancy's death is suspected to be murder by poison, but no inquest is held; the crime goes unpunished as Paris quickly forgets.

  • Madness and Mental Health

    Valerie's delirium and guilt-ridden dreams are vividly described; she is a 'wreck' of her former self, haunted by memories and unable to seek solace.

  • Duality and Deception

    Raymond Marolles presents a polished exterior while taunting Valerie with the reality of their crime; Valerie wonders if he is a real person or an incarnation of her dark thoughts.

  • Revenge and Redemption

    Valerie's revenge on Gaston de Lancy has left her in despair; she feels no hope of redemption and waits for death.

Characters to notice

  • Valerie de Cevennes

    Recovering from a month-long illness marked by delirium; consumed by guilt over Gaston de Lancy's murder; refuses comfort and awaits death.

  • Raymond Marolles

    Arrives at the château to claim his reward; maintains a cool, mocking demeanor; taunts Valerie with the words 'crime—poison—murder.'

  • Gaston de Lancy

    His death by suspected poison is recounted; the opera singer is buried quietly at Rouen and soon forgotten by Paris.

  • Marquis de Cevennes

    Valerie's uncle; restored to title and fortune after the Bourbon restoration; reluctantly allows Raymond's visit.

  • Laurent Blurosset

    Mentioned in Valerie's delirious memories of the lamp-lit apartment where the poison plot was arranged.

Key passages

  • The sudden and melancholy death of Gaston de Lancy caused a considerable sensation throughout Paris; more especially as it was attributed by many to poison.

    Gaston de Lancy's unexpected death shocked Paris, with many suspecting poison.

    Establishes the public reaction to the murder.

  • She sat alone—no book near her, no sign of any womanly occupation in the great chamber, no friend to watch or tend her (for she had refused all companionship); she sat with listless hands drooping upon the velvet cushions of her chair, her head thrown back, as if in utter abandonment of all things on the face of the wide earth, and her dark eyes staring straight before her out into the dead waste of winter snow.

    Valerie sat alone in her room, refusing all company, her hands limp and her gaze fixed on the snowy landscape, utterly abandoned to despair.

    Depicts Valerie's profound isolation and hopelessness.

  • How can she pour into the ears of this good and benevolent old man her dismal story? Surely he would cast her from him with contumely and horror.

    She cannot confess to the kindly chaplain, fearing he would reject her in disgust.

    Reveals Valerie's fear of judgment and her inability to seek forgiveness.

  • There are no such words as those for beauty and high rank. A person far removed from our sphere offends us, and we sweep him from our path.

    Raymond argues that for the beautiful and noble, words like 'crime' and 'murder' don't apply—they simply remove those beneath them who cause offense.

    Highlights Raymond's cynical justification of murder as a privilege of rank.