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The Sun Also Rises · Chapter

Chapter V explained

Jake and Robert Cohn have lunch, where Cohn reveals his infatuation with Lady Brett Ashley, leading to a tense argument.

What happens

Jake and Robert Cohn have lunch, where Cohn reveals his infatuation with Lady Brett Ashley, leading to a tense argument. Later, Jake enjoys a peaceful morning working in Paris, then meets Cohn again for another lunch, where Cohn continues to express his frustrations.

Themes in this chapter

  • Disillusionment and Aimlessness

    Cohn's inability to write and his vague plans to go to South America reflect a sense of aimlessness.

  • Love and Sexual Frustration

    Cohn's infatuation with Brett and Jake's bitter remarks highlight frustrated romantic desires.

  • Expatriation and Alienation

    The characters' lives in Paris as expatriates, detached from their home countries, underscore alienation.

Characters to notice

  • Jake Barnes

    Narrator and protagonist; has lunch with Cohn, works at his office, and later meets Cohn again.

  • Robert Cohn

    Expresses his love for Brett Ashley, argues with Jake, and later meets him for another lunch.

  • Lady Brett Ashley

    Discussed by Jake and Cohn; Cohn is infatuated with her, and Jake provides background on her life.

  • Mike Campbell

    Mentioned as Brett's fiancé, currently in Scotland.

  • Krum

    Fellow correspondent; shares a taxi with Jake and Woolsey, discusses social life.

  • Woolsey

    Fellow correspondent; shares a taxi with Jake and Krum.

Key passages

  • She's a drunk. She's in love with Mike Campbell, and she's going to marry him.

    Jake dismisses Brett as an alcoholic and states she is committed to Mike.

    Jake's blunt assessment of Brett's character and situation.

  • You're really about the best friend I have, Jake.

    Cohn declares Jake his closest friend after their argument.

    Cohn's reliance on Jake despite their conflict.

  • I can't get this second book going.

    Cohn is struggling to make progress on his new writing project.

    Cohn's creative block reflects his broader dissatisfaction.