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The Special Correspondent · Chapter

XII explained

The travelers explore Samarkand, visiting the bazaar, the square of Ribi-Khanym, and the mosque of Gour Emir, while reflecting on the city's history under Tamerlane.

What happens

The travelers explore Samarkand, visiting the bazaar, the square of Ribi-Khanym, and the mosque of Gour Emir, while reflecting on the city's history under Tamerlane. The Caternas view everything through a theatrical lens, and Claudius is jarred back to modernity by the sight of bicyclists in the ancient city.

Themes in this chapter

  • Cultural Diversity and Ethnography

    Detailed description of Samarkand's bazaar, fabrics like Kanaous, and the contrast between Russian and old towns.

  • Travel and Adventure

    Exploration of Samarkand's mosques, squares, and ruins via arba, with a sense of discovery and local color.

  • Technology and Progress

    The jarring presence of bicyclists in Tamerlane's capital symbolizes the clash between ancient and modern.

Characters to notice

  • Claudius Bombarnac

    Narrator and journalist exploring Samarkand, reflecting on its history and marvels.

  • Major Noltitz

    Accompanies Claudius and the Caternas, providing historical context and acting as interpreter.

  • Monsieur Caterna

    Actor who views Samarkand's sights as potential stage settings, making theatrical comparisons.

  • Madame Caterna

    Actress who shops for fabric and slippers, and comments on Tamerlane's lameness.

  • Tamerlane

    Historical conqueror discussed in relation to Samarkand's monuments and his bloody legacy.

Key passages

  • actor, 'what a splendid scene it would make for a ballet, Caroline! That mosque, with a garden alongside, and that other one with a court⁠—' 'You are right, Adolphe,' said his wife; 'but we would have to put those towers up straight and have a few luminous fountains.'

    Caterna imagines the mosque as a ballet set, and his wife suggests straightening the towers and adding fountains.

    The Caternas view Samarkand's architecture through a theatrical lens.

  • I passed two bicyclists. 'Ah!' exclaimed Caterna. ' Messrs. Wheeler!' And they were Turkomans! After that nothing more could be done than leave a town so dishonored by the masterpiece of mechanical locomotion

    Claudius sees Turkoman bicyclists, which ruins the ancient atmosphere for him.

    Modern technology intrudes on the historical experience.