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The Slaves of Paris · Chapter

Father and Daughter explained

Martin Rigal, a banker who knows the small tradespeople of Paris, is introduced.

What happens

Martin Rigal, a banker who knows the small tradespeople of Paris, is introduced. He is a widower who dotes on his daughter Flavia. Flavia confesses her love for Paul Violaine, whom she met at Van Klopen's. Her father promises to arrange a meeting, though he worries about her intense feelings and Paul's weakness. Dr. Hortebise brings Paul to dinner at the Rigal home, where Flavia acts reserved as instructed. After dinner, she asks Paul to play piano, and the banker and Hortebise watch the young couple anxiously, discussing Mascarin's plans and a future meeting.

Themes in this chapter

  • Wealth and Extravagance

    Martin Rigal's wealth is evident in his magnificent house, his daughter's Victoria and thoroughbred horses, and the report that Flavia will inherit millions. The banker's power over his clients is tied to their financial dependence.

  • Love vs. Duty

    Flavia's passionate love for Paul Violaine conflicts with her father's concerns about Paul's weakness and suitability. The banker promises to fulfill her desire but fears for her happiness, highlighting the tension between romantic love and parental duty.

  • Deception and Secrecy

    Flavia is instructed to act reserved at dinner to test Paul's intentions, and the banker and Hortebise secretly watch the young couple. The chapter also references Mascarin's schemes and a planned meeting to discuss Catenac's ideas and Croisenois's conduct.

Characters to notice

  • Martin Rigal

    A banker who rules his clients despotically but dotes on his daughter Flavia. He promises to arrange a meeting with Paul Violaine despite his fears about her intense love.

  • Flavia Rigal

    The banker's daughter, deeply in love with Paul Violaine since their meeting at Van Klopen's. She confesses her feelings to her father and agrees to act reserved at dinner to test Paul's intentions.

  • Paul Violaine

    A composer invited to dinner at the Rigal home by Dr. Hortebise. He is the object of Flavia's love and plays piano for her after dinner, though he remains uncertain of her feelings.

  • Dr. Hortebise

    Accompanies Paul to the Rigal dinner and watches the young couple with the banker. He discusses Mascarin's plans and the upcoming meeting with Catenac and Croisenois.

  • Van Klopen

    The man-milliner who provided information about Martin Rigal to Mascarin, identifying him as a banker and the father of Flavia.

Key passages

  • Van Klopen, the man-milliner, knew Paris and its people thoroughly like all tradesmen who are in the habit of giving large credit. He knew all about the business of his customers, and never forgot an item of information when he received one.

    Van Klopen, a fashionable clothier, was deeply familiar with Parisian society because he extended extensive credit, and he retained every piece of gossip he learned.

    Introduces Van Klopen as a knowledgeable informant about the city's inhabitants.

  • Martin Rigal used his power despotically and permitted no arguments, and speedily quelled rebellion on the part of any new customer who ventured to object to his arbitrary rules.

    Martin Rigal wielded his authority ruthlessly, allowing no dissent and quickly suppressing any customer who challenged his strict policies.

    Describes the banker's tyrannical control over his clients.

  • He was a widower, and all his love was concentrated on his daughter. He did not keep a very extravagant establishment, but the report in the neighborhood was that Mademoiselle Flavia, the daughter of the eminent banker, would one day come into millions.

    A widower, he devoted all his affection to his daughter. Though his household was not overly lavish, local gossip held that Flavia would inherit a fortune.

    Highlights the banker's paternal devotion and Flavia's anticipated wealth.

  • Since then, I have known no rest. I cannot sleep, and instead of blood, liquid fire seems to come through my veins.

    Since that moment, I have been unable to find peace or sleep, and I feel as though liquid fire runs through my veins instead of blood.

    Flavia's dramatic confession of her intense love for Paul.

  • You are wrong, replied her father, as many other women have been before you. You believe that weak and vacillating dispositions are easily controlled, but I tell you that this is an error. Only determined characters can be influenced, and it is on substantial foundations that we find support.

    Her father countered that she was mistaken, like many women before her, in thinking that weak and indecisive natures are easy to manage; in truth, only strong characters can be guided, and solid foundations provide real support.

    The banker warns Flavia about the dangers of loving a weak man.