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The Slaves of Paris · Chapter

VIII: Mademoiselle de Mussidan explained

Sabine de Mussidan visits André in his studio, risking her honor and reputation.

What happens

Sabine de Mussidan visits André in his studio, risking her honor and reputation. The chapter recounts their first meeting at the Château de Mussidan, their developing love over two months, and the aunt's discovery and dismissal of André. Sabine offers him a ray of hope before he leaves.

Themes in this chapter

  • Social Class and Inequality

    The love between André, a poor stone carver, and Sabine, an aristocrat, is forbidden due to the vast social gulf between them, as emphasized by the aunt's outrage.

  • Love vs. Duty

    Sabine and André's love conflicts with her duty to her family and social standing, leading to a painful separation.

  • Deception and Secrecy

    The lovers' secret meetings and the aunt's discovery of their relationship drive the chapter's tension.

Characters to notice

  • André

    A skilled stone carver and foundling, deeply in love with Sabine de Mussidan. He is devastated by his dismissal from the Château.

  • Sabine de Mussidan

    The scion of the lordly house of Mussidan, who risks her honor to visit André. She offers him hope after his dismissal.

  • Paul Violaine

    Mentioned as having been a watcher at the beginning of the chapter, but does not appear directly in the excerpt.

  • Countess de Mussidan

    Sabine's aunt, who discovers the romance and angrily dismisses André from the Château.

Key passages

  • The sweetest music in the world is the rustle of the beloved one’s dress.

    The sound of his beloved's dress is the most beautiful music André can imagine.

    Expresses André's deep emotional anticipation and love for Sabine.

  • Cold reason finds no excuse for such a step, but the heart can easily solve this seeming riddle.

    Logic cannot justify Sabine's risky visit, but her love for André explains it completely.

    Highlights the conflict between societal norms and personal emotion.

  • It is hardly to be believed that a mere carver of stone should be so like a gentleman. It seems to me that all distinctions of social rank have vanished.

    The aunt is astonished that a stone carver can behave like a gentleman, suggesting that class distinctions are fading.

    Reflects the theme of social class and the aunt's changing perceptions.