The Red Room · Chapter
XVII: Natura… explained
Falander is visited by Agnes, his former lover who is now engaged to Rehnhjelm.
What happens
Falander is visited by Agnes, his former lover who is now engaged to Rehnhjelm. She complains about her fiancé's strictness and her own frustration. Their conversation reveals lingering passion and jealousy, as Falander admits he still loves her and that he lied about being tired of her. Agnes, defiant and emotional, ultimately locks the door and draws the blind, signaling a rekindling of their affair.
Themes in this chapter
Gender Roles and Women's Rights
Agnes defies feminine propriety by cursing, smoking, and drinking punch, while chafing against her fiancé's restrictions.
Illusion vs. Reality
Falander's admission that he lied about being tired of Agnes reveals the gap between performed indifference and true feeling.
Ambition and Moral Compromise
Agnes declares she will be successful 'at any price,' showing her willingness to compromise for ambition.
Characters to notice
- Falander
At home studying a part; receives Agnes; admits he lied about being tired of her and declares he still loves her.
- Agnes Rundgren
Visits Falander; complains about her fiancé Rehnhjelm's strictness; smokes a cigar and drinks punch; reveals her jealousy and frustration; locks the door and draws the blind.
- Rehnhjelm
Agnes's fiancé; strict and proper; has been given the part of a servant in a new play, which humiliates Agnes.
- Jenny
Mentioned as Falander's lover; Agnes calls her an 'ugly, old hag'.
- Gustav Eriksson
The waiter; cast as Don Diego in the new piece.
Key passages
“I had to come and see you, it’s so damned slow!”
Agnes visits Falander out of boredom and frustration.
Shows Agnes's restless spirit and dissatisfaction with her engagement.
“I? I shall never love any woman but you!”
Falander declares his enduring love for Agnes.
Key moment revealing Falander's true feelings despite his earlier lies.
“Your soul is evil, and I don’t love evil.”
Falander criticizes Agnes's character even as he admits his love.
Highlights the conflict between passion and moral judgment.