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The Red and the Black · Chapter

The Intrigue explained

In prison, Julien Sorel reflects on his fading ambition and his overwhelming remorse for shooting Madame de Rênal, realizing he loves her to the point of distraction.

What happens

In prison, Julien Sorel reflects on his fading ambition and his overwhelming remorse for shooting Madame de Rênal, realizing he loves her to the point of distraction. Mathilde de la Mole, consumed by a heroic and theatrical passion, devises increasingly dangerous schemes to save him, while Julien, weary of her heroism, longs for simple tenderness. He advises Mathilde to eventually marry M. de Croisenois for the sake of her family's honor, and she, in a desperate act, sends a courier to Madame de Fervaques to enlist the bishop's help, while Fouqué is both impressed and bewildered by her extravagant devotion.

Themes in this chapter

  • Ambition and Its Cost

    Julien's ambition is dead, replaced by remorse, showing the ultimate cost of his social climbing. He now sees his past Paris successes as boring.

  • Love as Power Struggle

    Mathilde's love is a performance for the public, a heroic act to astonish, while Julien is weary of it, desiring simple tenderness. Their dynamic is a struggle between his desire for peace and her need for drama.

  • Class and Aristocratic Prejudice

    Julien's advice to Mathilde to marry Croisenois reflects the enduring power of class and name, even in the face of scandal. He argues her fortune and his birth would make him a success.

  • Self-Identity and Authenticity

    Julien questions if he is an egoist for feeling ungrateful, and his moral discomfort grows as he sees Mathilde ruining herself for him. He feels unworthy of her devotion, revealing a crisis of self.

Characters to notice

  • Julien Sorel

    In prison, he feels remorse for his crime and realizes his love for Madame de Rênal. He is tired of Mathilde's heroism and advises her to marry M. de Croisenois.

  • Mathilde de la Mole

    Consumed by a heroic passion, she plans extravagant and dangerous schemes to save Julien, including contacting Madame de Fervaques and considering suicide.

  • Fouqué

    Devoted to Julien, he is willing to sacrifice his fortune but is dumbfounded by Mathilde's extravagant spending and changeable nature.

  • Madame de Rênal

    Though absent, she is the object of Julien's remorse and enduring love; he asks Mathilde to have their child nursed under her care.

  • Madame de Fervaques

    Mathilde sends a courier to her, entreating her to obtain a letter from the bishop and to come to Besançon.

  • Abbé de Frilair

    Mentioned as the recipient of the bishop's letter that Mathilde hopes to obtain through Madame de Fervaques.

  • M. de Croisenois

    Julien advises Mathilde to marry him after his death, suggesting his name and her fortune would ensure his success.

Key passages

  • Ambition was dead in his heart; another passion had arisen from its ashes. He called it remorse at having assassinated madame de Rênal.

    Julien's drive for power and status had vanished, replaced by a deep regret for shooting Madame de Rênal.

    Highlights the shift from ambition to remorse.

  • She talked of nothing but the strange sacrifices that she was ready to make in order to save him. Exalted as she was by a sentiment on which she plumed herself, to the complete subordination of her pride, she would have liked not to have let a single minute of her life go by without filling it with some extraordinary act.

    Mathilde constantly spoke of the bizarre things she would do to rescue Julien, feeling proud of her devotion and wanting to fill every moment with a dramatic gesture.

    Shows Mathilde's theatrical and self-aggrandizing approach to love.

  • A simple, naïve, and almost timid tenderness was what would have appealed to him, while Mathilde's haughty soul, on the other hand, always required the idea of a public and an audience.

    Julien wanted a quiet, unassuming affection, but Mathilde's proud nature needed her love to be seen and admired by others.

    Contrasts Julien's desire for peace with Mathilde's need for spectacle.