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The Plastic Age · Chapter

VI explained

Hugh returns to Surrey Hall feeling virtuous and happy after a productive evening at the library.

What happens

Hugh returns to Surrey Hall feeling virtuous and happy after a productive evening at the library. He hears his neighbor Herbert Morse sobbing and goes to comfort him, discovering Morse is intensely homesick. Hugh talks him out of leaving for home that night. Later, Hugh discusses the incident with his roommate Carl Peters, who reveals a more vulnerable side and shares his own background as nouveau riche, confessing his fears about losing his virginity and his deep love for his mother.

Themes in this chapter

  • Coming of Age and Identity

    Hugh's comforting of Morse and his conversation with Carl reveal his growing maturity and understanding of others' vulnerabilities.

  • College Life: Idealism vs. Reality

    Hugh's initial euphoria about belonging at Sanford is contrasted with the harsh reality of Morse's homesickness and Carl's hidden insecurities.

  • Social Class and Fraternity Snobbery

    Carl reveals his family's nouveau riche status and lack of social class, highlighting class distinctions even among students.

Characters to notice

  • Hugh Carver

    Feels virtuous and happy after studying; comforts Morse during a homesick breakdown; discusses Morse with Carl and learns about Carl's background.

  • Carl Peters

    Found in a pensive, homesick mood by the fire; reveals his family is nouveau riche and confesses his fears about sex and his devotion to his mother.

  • Merton Billings

    Passes Hugh on campus and greets him pleasantly.

  • Jones

    Greets Hugh on campus, contributing to Hugh's sense of belonging.

Key passages

  • He felt that he belonged, that Sanford, the 'mother of men,' had taken him to her heart.

    Hugh felt accepted and at home at Sanford College.

    Captures Hugh's emotional connection to the college.

  • You're a good egg, Hugh, but you're a damn fool.

    Carl tells Hugh he is a good person but naive.

    Carl's characteristic blunt affection.

  • My old lady never came to Kane. She never will come here, either. She wants to give me a real chance. See? She knows she isn't a lady—but—but, oh, God, Hugh, she's white, white as hell.

    Carl explains that his mother is uneducated but morally good, and he respects her deeply.

    Reveals Carl's respect for his mother despite social class.