The Picture of Dorian Gray · Chapter
Chapter XIX explained
Dorian Gray tells Lord Henry about his decision to reform his life, citing his recent act of sparing a young girl named Hetty Merton as his first good action.
What happens
Dorian Gray tells Lord Henry about his decision to reform his life, citing his recent act of sparing a young girl named Hetty Merton as his first good action. Lord Henry mocks Dorian's moralizing, arguing that art has no influence on action and that Dorian's renunciation is futile. The chapter explores themes of attempted reformation, the nature of the soul, and Lord Henry's persistent hedonistic philosophy.
Themes in this chapter
Hedonism and Its Consequences
Lord Henry defends hedonism while Dorian attempts to renounce it, highlighting the tension between pleasure and moral reform.
The Soul and Conscience
Dorian insists on the reality of the soul and its capacity for corruption or perfection, directly challenging Lord Henry's skepticism.
Vanity and the Double Life
Dorian's secret past and his public persona as a youthful ideal are contrasted with his private guilt and desire for change.
Characters to notice
- Dorian Gray
Dorian announces his intention to reform, having spared Hetty Merton, and expresses regret over Lord Henry's past influence.
- Lord Henry Wotton
Lord Henry dismisses Dorian's moral turn, defends art's sterility, and continues to praise Dorian's youth and beauty.
- Hetty Merton
Mentioned as the village girl Dorian spared, reminiscent of Sibyl Vane, and the subject of his first good action.
- Sibyl Vane
Recalled by Dorian as the inspiration for his attraction to Hetty, highlighting the lingering impact of her death.
- Basil Hallward
Referenced in passing as the subject of ongoing town gossip about his disappearance.
Key passages
“You are the type of what the age is searching for, and what it is afraid it has found.”
Lord Henry tells Dorian that he embodies the ideal the era seeks but fears to discover.
Highlights Dorian's symbolic role as a cultural archetype of beauty and corruption.
“I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful and wonderfully like Sibyl Vane.”
Dorian confesses to Lord Henry that he refrained from seducing a girl who reminded him of Sibyl Vane.
Reveals Dorian's attempt at moral reform and his lingering guilt over Sibyl's fate.
“The soul is a terrible reality. It can be bought, and sold, and bartered away. It can be poisoned, or made perfect.”
Dorian asserts the soul's tangible existence and its vulnerability to corruption or redemption.
Contrasts with Lord Henry's dismissal of the soul as an illusion, underscoring the novel's central conflict.