The Picture of Dorian Gray · Chapter
I explained
Basil Hallward reveals to Lord Henry Wotton his deep artistic obsession with Dorian Gray, explaining that the portrait he has painted contains too much of his own soul to exhibit.
What happens
Basil Hallward reveals to Lord Henry Wotton his deep artistic obsession with Dorian Gray, explaining that the portrait he has painted contains too much of his own soul to exhibit. Lord Henry, intrigued, insists on meeting Dorian, and Basil reluctantly reveals his name.
Themes in this chapter
Aestheticism and Morality
Basil's devotion to beauty as a motive in art contrasts with Lord Henry's cynical view of art and life.
Art and Reality
Basil argues that a portrait reveals the artist more than the sitter, blurring the line between art and the artist's soul.
Characters to notice
- Basil Hallward
Confesses his artistic idolatry of Dorian Gray and his fear of revealing his soul through the portrait.
- Lord Henry Wotton
Charms and provokes Basil with his cynical wit, insisting on meeting Dorian Gray.
- Dorian Gray
Discussed extensively by Basil and Lord Henry; his portrait is the subject of their conversation, though he has not yet appeared.
Key passages
“every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
A heartfelt portrait reveals the painter's own soul rather than the subject's likeness.
Basil explains why he cannot exhibit Dorian's portrait.
“I have put into it some expression of all this curious artistic idolatry, of which, of course, I have never cared to speak to him.”
Unintentionally, I've infused the painting with my secret artistic worship of him.
Basil confesses his hidden feelings for Dorian through the portrait.