The Moon and Sixpence · Chapter
Endnotes explained
The endnotes provide references to critical works on Charles Strickland, including a monograph by Edward Leggatt, a German study by Hugo Weitbrecht-Rotholz, and a biography by Strickland's son Robert.
What happens
The endnotes provide references to critical works on Charles Strickland, including a monograph by Edward Leggatt, a German study by Hugo Weitbrecht-Rotholz, and a biography by Strickland's son Robert. They also describe two of Strickland's paintings: a nude Tahitian woman in a tropical landscape, and a work formerly in Lille now held by the National Gallery in Stockholm.
Themes in this chapter
Artistic Genius and Sacrifice
The endnotes cite multiple critical studies and describe Strickland's paintings, underscoring his posthumous recognition as a significant artist.
Characters to notice
- Charles Strickland
Subject of the referenced monographs and paintings described in the endnotes.
- Rev. Robert Strickland
Author of 'Strickland: The Man and His Work' (1913), a biography of his father.
Key passages
“A Modern Artist: Notes on the Work of Charles Strickland , by Edward Leggatt, A.R.H.A. Martin Secker, 1917.”
Edward Leggatt's 1917 study on Strickland's work is cited.
First endnote reference.
“Strickland: The Man and His Work , by his son, Robert Strickland. Wm. Heinemann, 1913.”
Robert Strickland's 1913 biography of his father is referenced.
Third endnote reference.
“A nude woman, a native of the Society Islands, is lying on the ground beside a brook. Behind is a tropical Landscape with palm trees, bananas, etc. 60 in. × 48 in.”
A painting described in Christie's catalogue shows a Tahitian woman nude by a brook in a tropical setting.
Description of one of Strickland's paintings.