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The House of the Dead · Chapter

II: The Hospital (Continued) explained

The narrator reflects on the convicts' attitudes toward punishment and crime, noting that most feel no remorse for offenses against authority, viewing it as a mutual struggle.

What happens

The narrator reflects on the convicts' attitudes toward punishment and crime, noting that most feel no remorse for offenses against authority, viewing it as a mutual struggle. He describes Lieutenant Zherebyatnikov, a cruel officer who takes sadistic pleasure in flogging. The chapter also details the dynamics of the prison hospital, where doctors sometimes tolerate malingering out of compassion, and recounts the extreme measures convicts take to delay corporal punishment, including self-harm or feigning illness.

Themes in this chapter

  • Suffering and Redemption

    Explored through the convicts' endurance of punishment and the psychological torment of awaiting flogging.

  • Power and Cruelty

    Exemplified by Lieutenant Zherebyatnikov's sadistic pleasure in administering punishment as an art.

  • Hope and Despair

    Convicts' desperate attempts to delay punishment, even at the cost of greater suffering, highlight the interplay of hope and despair.

Characters to notice

  • Alexandr Petrovitch Goryanchikov

    Narrator and observer; reflects on convict psychology and hospital experiences.

  • Lieutenant Zherebyatnikov

    Sadistic officer who delights in administering punishment as an art form.

  • Gazin

    Mentioned as a convict who might murder someone in the night; subject of whispered warnings.

  • Orlov

    A Kalmuck convict who endured four thousand strokes and described his childhood under constant lash.

Key passages

  • The majority of them did not blame themselves at all. I have said already that I saw no signs of remorse even when the crime was against one of their class; as for crimes against officers in control of them, they did not count them at all.

    Most convicts felt no guilt for their crimes, especially those committed against authority figures, viewing them as part of an inevitable struggle.

    Reflects the convicts' moral code and lack of remorse.

  • He was passionately fond of the art of punishing, and he loved it as an art. He enjoyed it and like the worn-out aristocratic debauchees of the Roman Empire, he invented all sorts of subtleties, all sorts of unnatural tricks to excite and agreeably thrill his crass soul.

    Lieutenant Zherebyatnikov took perverse pleasure in flogging, treating it as a refined art form and inventing cruel variations to satisfy his own debased tastes.

    Highlights the sadistic nature of the officer.

  • It was nothing to them that the punishment when it did come, two months later, would be twice or three times as severe; all they care about was deferring the awful moment if only for a few days at any cost—so extreme is sometimes the prostration of spirit of these poor creatures.

    Convicts would endure even harsher punishment later just to delay the immediate terror of flogging, showing their profound psychological desperation.

    Illustrates the extreme fear and despair of awaiting punishment.