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The Home and the World · Chapter

XXII explained

Bimala, overwhelmed by guilt and fear of exposure, hides the valuables of servants in her safe, prepares cakes obsessively, and waits for Amulya who never arrives.

What happens

Bimala, overwhelmed by guilt and fear of exposure, hides the valuables of servants in her safe, prepares cakes obsessively, and waits for Amulya who never arrives. She contemplates suicide with the pistol he left, but is interrupted by the temple gongs. After a feast, she seeks her husband's feet in sleep, but he pushes her away. Alone on the verandah, she laments her isolation and prays for forgiveness. Nikhil finds her, and she receives his blessing, but she mourns the loss of her former innocence and the impossibility of returning to her wedding day.

Themes in this chapter

  • Self-Identity and Self-Realization

    Bimala's introspection reveals her fractured identity, as she feels alienated from her surroundings and herself, realizing the consequences of her actions.

  • Deception and Self-Deception

    Bimala's guilt and fear of exposure highlight her self-deception, as she tries to maintain a facade of normalcy while hiding the truth.

Characters to notice

  • Bimala

    Overwhelmed by guilt and fear, she hides servants' valuables, obsessively makes cakes, contemplates suicide, and finally receives her husband's blessing.

  • Nikhil

    Asleep when Bimala seeks his feet, but later finds her on the verandah and blesses her.

  • Amulya

    Writes that he will come in the evening but never arrives; Bimala fears she sent him to his death.

  • Bara Rani

    Sends for Bimala to hear a gramophone, but Bimala refuses.

  • Thako

    Brings her savings to Bimala for safekeeping and later fetches her for the gramophone.

Key passages

  • To whom was I to explain that the Rani herself had been weaving all this network of trouble, and had got caught in it, too?

    Bimala cannot confess that she is the source of the household's turmoil, having entangled herself in her own schemes.

    Bimala's internal conflict and isolation.

  • I had no memento of Amulya save that pistol—his reverence-offering. It seemed to me that this was a sign given by Providence.

    The only keepsake from Amulya is the pistol, which Bimala interprets as a divine sign to end her guilt-ridden life.

    Bimala's suicidal thoughts and her perception of the pistol as a means of redemption.

  • Where I am, I am not. I am far away from those who are around me.

    Bimala feels disconnected from her surroundings, as if she is not truly present in her own life.

    Her profound sense of alienation and loss of self.

  • God can create new things, but has even He the power to create afresh that which has been destroyed?

    Bimala wonders if even God can restore what has been irrevocably ruined, referring to her lost innocence and marriage.

    Her despair over the irreversibility of her actions.