The Faerie Queene · Chapter
Canto IX explained
Prince Arthur recounts his mysterious lineage and upbringing by Timon and Merlin, and confesses his love-inspired quest.
What happens
Prince Arthur recounts his mysterious lineage and upbringing by Timon and Merlin, and confesses his love-inspired quest. The Redcrosse Knight, Una, and Arthur then encounter Sir Trevisan fleeing from Despair, a figure who tempts the Redcrosse Knight with arguments for suicide. The knight nearly succumbs but is saved by Una's intervention.
Themes in this chapter
Religion and Morality
Despair's arguments twist Christian doctrine to justify suicide, while Una's intervention reaffirms the virtue of hope and divine mercy.
Truth and Deception
Despair uses deceptive rhetoric to present death as a release, masking the sin of self-murder.
Virtue and Vice
The canto contrasts the vice of despair with the virtue of hope, embodied by Una's timely rescue.
Characters to notice
- Prince Arthur
Reveals his unknown lineage, upbringing by Timon and Merlin, and his quest driven by a love-wound.
- Redcrosse Knight
Nearly driven to suicide by Despair's rhetoric, but is rescued by Una.
- Una
Requests Arthur's story and later saves the Redcrosse Knight from Despair.
- Archimago
Mentioned as the one who imprisoned the Redcrosse Knight, leading to his rescue by Arthur.
- Duessa
Referenced by Despair as the false lady with whom the Redcrosse Knight defiled himself.
- Despair
The antagonist of the canto, who tempts the Redcrosse Knight to suicide with persuasive arguments.
Key passages
“O goodly golden chayne, wherewith yfere / The vertues linked are in lovely wize”
The virtues are linked together like a beautiful golden chain.
Opening stanza praising the interconnectedness of virtues.
“For both the lignage, and the certein Sire, / From which I sprong, from mee are hidden yitt”
I do not know my lineage or my father.
Arthur confesses his unknown parentage.
“Ah, Love! lay down thy bow, the whiles I may respyre.”
Love, stop shooting your arrows so I can catch my breath.
Arthur's plea to Cupid as he recounts his love-wound.
“Sleepe after toyle, port after stormie seas, / Ease after warre, death after life, does greatly please.”
Death is as welcome as rest after labor or harbor after a storm.
Despair's seductive argument for suicide.
“The knight was much enmoved with his speach, / That as a swords poynt through his hart did perse”
The knight was deeply shaken by Despair's words, which pierced his heart like a sword.
Redcrosse Knight's emotional vulnerability to Despair's rhetoric.