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The Enormous Room · Chapter

II: En Route explained

The narrator is transported by train to prison, accompanied by gendarmes and a fellow prisoner—a Belgian 'deserter' who shares his wine and sausage.

What happens

The narrator is transported by train to prison, accompanied by gendarmes and a fellow prisoner—a Belgian 'deserter' who shares his wine and sausage. The narrator draws caricatures of the guards to distract them. Upon arrival at a prison yard, he encounters a chaotic scene of desperate prisoners behind bars, including a charismatic figure he calls the 'angel-monkey' who asks for cigarettes. He is then led to his cell.

Themes in this chapter

  • Freedom vs. Imprisonment

    The narrator is physically transported to prison, yet finds moments of human connection and defiance through art and shared wine.

  • Bureaucratic Absurdity

    The Belgian is labeled a deserter for overstaying leave by one day, highlighting the arbitrary nature of military rules.

  • Human Dignity and Community

    Despite being prisoners, the Belgian shares food and wine, and the narrator gives cigarettes to the desperate men behind bars, showing solidarity.

Characters to notice

  • Narrator

    The narrator is the central figure, traveling under guard, drawing caricatures, and interacting with fellow prisoners and gendarmes.

  • B.

    B. is not present in this chapter; the narrator travels alone with gendarmes and other prisoners.

  • The Belgian

    A Belgian prisoner who shares wine and sausage with the narrator on the train; he is a 'deserter' who overstayed his leave.

  • Jack

    The 'angel-monkey' prisoner who calls out for cigarettes from behind bars; he distributes them to others.

  • The French

    The gendarmes and guards who escort the narrator and oversee the prison.

Key passages

  • He smiled as he told me he was getting ten years. Three years at solitary confinement was it, and seven working in a gang on the road? That would not be so bad. He wished he was not married, had not a little child. 'The bachelors are lucky in this war'—he smiled.

    The Belgian prisoner calmly describes his ten-year sentence, noting that solitary confinement and hard labor are bearable, but he regrets leaving a wife and child behind.

    Reveals the prisoner's stoic acceptance and the personal cost of war.

  • I would save the blanket-cover by drawing these brigands' attention to myself. At the same time I would satisfy my inborn taste for the ridiculous. 'Have you a pencil?' I said. 'Because I am an artist in my own country, and will do your picture.'

    The narrator distracts the gendarmes by offering to draw their portraits, using art as a means of protection and amusement.

    Shows the narrator's resourcefulness and use of art as resistance.

  • Trillions of hands. Quadrillions of itching fingers. The angel-monkey received the package of cigarettes politely, disappearing with it into howling darkness. I heard his high boy's voice distributing cigarettes.

    The narrator describes the chaotic scene of prisoners reaching through bars, and the 'angel-monkey' who takes the cigarettes and shares them with others.

    Highlights the dehumanizing conditions and the small acts of generosity among prisoners.