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The Damnation of Theron Ware · Chapter

XIX explained

Theron Ware visits Celia Madden's private room, a lavishly decorated space filled with statues, paintings, and a piano.

What happens

Theron Ware visits Celia Madden's private room, a lavishly decorated space filled with statues, paintings, and a piano. Celia plays Chopin and other pieces, deeply affecting Theron, who becomes emotionally and physically overwhelmed. She gives him Benedictine to recover, and they share an intimate moment.

Themes in this chapter

  • Gender Roles and Sexuality

    Celia's independence, smoking, and artistic control challenge traditional feminine roles, while Theron's physical and emotional reaction to her music suggests a burgeoning sexual awakening.

  • Intellectual Awakening and Education

    Theron is exposed to high art and music, expanding his cultural horizons and prompting a crisis of perception and self-awareness.

  • Alienation and Identity

    Theron feels out of place in Celia's sophisticated world, leading to a sense of dislocation and a questioning of his own identity.

Characters to notice

  • Theron Ware

    Visits Celia's room, is overwhelmed by the art and music, experiences giddiness and emotional turmoil.

  • Celia Madden

    Hosts Theron in her private room, plays piano, smokes a cigarette, and cares for him when he feels faint.

Key passages

  • Theron Ware looked about him with frankly undisguised astonishment.

    Theron was openly amazed by his surroundings.

    Opening line establishing Theron's wonder at Celia's room.

  • I suffered the horrors of the damned with this hair of mine when I was a child.

    Celia says her red hair caused her great torment as a child.

    Celia explains the childhood persecution she faced for her red hair.

  • It is all singing! That is what Chopin does—he sings!

    Celia declares that Chopin's music is pure song.

    Celia's exclamation about the essence of Chopin's compositions.

  • How could it be the end? Things don't end that way!

    Theron protests that the music cannot be over, as it feels unresolved.

    Theron's emotional reaction to the end of the mazurka.