The Created Legend · Chapter
XII explained
Trirodov's love of solitude and his creative process are explored, along with his grief over his wife's death and his relationship with Alkina, a fellow party worker who visits him for both revolutionary business and personal intimacy.
What happens
Trirodov's love of solitude and his creative process are explored, along with his grief over his wife's death and his relationship with Alkina, a fellow party worker who visits him for both revolutionary business and personal intimacy.
Themes in this chapter
Creative Transformation of Reality
Trirodov finds self-oblivion in writing, where time shrivels and inspiration consoles him; his creative mystery fills him with joy.
Death and Resurrection
Trirodov associates his wife's death with his son's birth, awaits her return, and finds solace in her portrait, suggesting a belief in life after death.
Love and Idealism
Trirodov's relationship with Alkina is marked by a strange, undemanding intimacy; Alkina seeks love and affirmation, while Trirodov remains detached and idealistic.
Characters to notice
- Trirodov
Described as loving solitude, haunted by his wife's death, and engaged in creative work; he interacts with Alkina both as a party contact and a lover.
- Alkina
A quiet, undemanding woman and party worker who visits Trirodov on revolutionary business and initiates a sexual encounter, revealing her insecurities and longing.
- Kirsha
Trirodov's son, aged six at the time of his mother's death, who remembers her and cannot forget her.
- Bodeyev
Mentioned as a party speaker from the school, though Trirodov dislikes his manner of speaking.
Key passages
“Solitude and silence were a holiday to him.”
Being alone and quiet felt like a vacation to him.
Highlights Trirodov's preference for isolation.
“Only while writing his poems and his prose did he find self-oblivion—an astonishing state, in which time is shrivelled up and consumed, in which great inspiration consoles her chosen ones with divine exultation for all burdens, for all annoyances in life.”
He only forgot himself when writing, a state where time seemed to shrink and inspiration lifted him above life's troubles.
Describes the transformative power of creativity for Trirodov.
“She bore, and therefore had to die. Life is only for the innocent.”
He believed that giving birth caused her death, and that only the innocent truly live.
Reveals Trirodov's guilt and mystical thinking about his wife's death.
“Shame is often needed, in order that we may gain control over it.”
Shame is necessary so we can learn to master it.
Trirodov's philosophical response to Alkina's feelings of shamelessness.