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The Count of Monte Cristo · Chapter

Andrea Cavalcanti explained

The Count of Monte Cristo receives a young man, Andrea Cavalcanti, who presents a letter of introduction from 'Sinbad the Sailor' (Lord Wilmore).

What happens

The Count of Monte Cristo receives a young man, Andrea Cavalcanti, who presents a letter of introduction from 'Sinbad the Sailor' (Lord Wilmore). Andrea claims to be the long-lost son of Major Bartolomeo Cavalcanti. Monte Cristo orchestrates a reunion between the two, who are revealed to be impostors paid to play their roles. The count provides Andrea with money and invites both to a dinner at his Auteuil house, where he plans to introduce them to the banker Danglars.

Themes in this chapter

  • Identity and Transformation

    Andrea and the major adopt false identities as father and son, highlighting the theme of constructed personas and deception.

  • Wealth and Corruption

    Monte Cristo uses money to manipulate the impostors, paying them to play roles, illustrating how wealth enables corruption.

  • Betrayal and Deception

    The entire meeting is a charade orchestrated by Monte Cristo, with both Andrea and the major knowingly deceiving others for gain.

Characters to notice

  • Edmond Dantès

    As the Count of Monte Cristo, he orchestrates the meeting between Andrea and the major, observing their deception with satisfaction.

  • Andrea Cavalcanti

    A young man posing as the son of Major Cavalcanti, he is paid 50,000 francs a year to play the role and eagerly accepts money from Monte Cristo.

  • Major Bartolomeo Cavalcanti

    An impostor paid 50,000 francs to act as Andrea's father; he plays along with the scheme and plans to leave Paris soon.

  • Baron Danglars

    Mentioned as the banker who will pay Andrea's allowance; Monte Cristo plans to introduce the Cavalcantis to him at the dinner.

  • Baptistin

    The count's servant who admits Andrea and is instructed to guide him to tailors and horse dealers.

Key passages

  • The Count of Monte Cristo entered the adjoining room, which Baptistin had designated as the drawing-room, and found there a young man, of graceful demeanor and elegant appearance, who had arrived in a cab about half an hour previously.

    Monte Cristo walked into the drawing room and saw a well-dressed young man who had arrived by cab thirty minutes earlier.

    Introduces Andrea Cavalcanti's arrival and the count's entrance.

  • I am (as you have said) the Count Andrea Cavalcanti, son of Major Bartolomeo Cavalcanti, a descendant of the Cavalcanti whose names are inscribed in the golden book at Florence.

    Andrea claims to be Count Andrea Cavalcanti, son of Major Bartolomeo Cavalcanti, from a noble Florentine family.

    Andrea presents his fabricated noble lineage.

  • Then there is no longer any such thing in Italy as being condemned to the galleys?

    Andrea sarcastically asks if Italy no longer punishes forgery with hard labor.

    Andrea reveals his awareness that the documents are forged.

  • There go two miscreants; it is a pity they are not really related!

    Monte Cristo watches the two impostors leave and remarks that they deserve each other.

    The count's cynical observation about the pair's dishonesty.