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The Cloven Foot · Chapter

XXI: Halcyon Days explained

John Treverton and his wife Laura return to Hazlehurst Manor unannounced, beginning their married life in domestic bliss.

What happens

John Treverton and his wife Laura return to Hazlehurst Manor unannounced, beginning their married life in domestic bliss. They explore the estate, plan improvements, and reflect on their love. Laura initiates John into his role as squire, visiting cottages and planning reforms. Their happiness is shadowed by unspoken pasts, as John asks about a mysterious relation Laura met in the garden. Laura deflects, citing a family black sheep. Society calls, and they plan dinner parties, with Celia Clare pressing for eligible bachelors and inclusion of her family.

Themes in this chapter

  • Love and Marriage

    The chapter depicts the idyllic early married life of John and Laura, their mutual devotion, and the happiness they find in domesticity.

  • Secrets and Deception

    Laura's secret meetings with a relation and her evasion of John's questions hint at hidden pasts and unresolved mysteries.

  • Social Class and Wealth

    John's new role as squire, the planning of estate improvements, and the pressure to host society dinners reflect class obligations and the responsibilities of wealth.

Characters to notice

  • John Treverton

    Returns to Hazlehurst Manor with Laura, overjoyed and transformed by marriage; engages in estate improvements and social duties.

  • Laura Malcolm

    Now Laura Treverton, she initiates John into squirehood, plans improvements, and deflects questions about a secret relation.

  • Celia Clare

    Visits and urges the Trevertons to host social events, hoping to meet eligible bachelors; mentions her brother Ted.

  • Mrs. Trimmer

    Housekeeper distressed by the unannounced arrival; later advises on hosting dinner parties as in old times.

  • Edward Clare

    Mentioned by Celia as being in London; Laura agrees to invite him to dinner.

Key passages

  • There were no bonfires or floral arches, no rejoicings of tenantry or farm labourers, when John Treverton and his wife came home to Hazlehurst Manor.

    John and Laura returned to Hazlehurst Manor quietly, without any public celebration or fanfare.

    Highlights the private, unassuming nature of their homecoming.

  • Dear love, to think that I should enter this room the happiest of men. I, who sat by that table in such anguish as few men are ever called upon to suffer.

    John marvels at his transformation from despair to happiness in the same room where he once suffered greatly.

    Emphasizes the emotional contrast between past and present.

  • Above all things was there to be happiness for everyone. Drainage and sanitation were to be so improved that fever and infection would be almost an impossibility.

    John and Laura planned estate improvements focused on health and happiness for all tenants.

    Shows their benevolent intentions as landowners.

  • There is one question that I have wanted to ask you, Laura, but I have shrunk from asking it, somehow, and put it off indefinitely.

    John hesitantly brings up a question about Laura's secret visitor, which he has avoided asking until now.

    Reveals the underlying tension and unspoken secrets in their relationship.

  • How am I to get a husband, I should like to know, unless I meet people here? There is no other house worth visiting in the neighbourhood.

    Celia Clare complains that without social events at Hazlehurst, she has no chance to find a husband.

    Illustrates the social pressures on unmarried women in this society.