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The Brothers Karamazov · Chapter

V: The Third Ordeal explained

Mitya continues his testimony, describing his actions in his father's garden and his confrontation at the window.

What happens

Mitya continues his testimony, describing his actions in his father's garden and his confrontation at the window. He insists he did not enter the house, but the prosecutor reveals the door was found open, suggesting the murderer entered that way. Mitya refuses to disclose the source of his money, citing disgrace, and undergoes a search. He vehemently denies killing his father, attributing his restraint to a guardian angel, and dismisses Smerdyakov as a possible culprit due to his cowardly nature. The interrogation grows tense as the prosecutor presses him on trivial details.

Themes in this chapter

  • Justice and Injustice

    The interrogation process highlights the tension between Mitya's subjective truth and the legal system's pursuit of objective evidence, raising questions about fairness and the presumption of guilt.

  • Free Will and Responsibility

    Mitya's claim that a 'guardian angel' saved him from murder contrasts with his earlier intent, exploring the boundaries of moral responsibility and divine intervention.

  • Innocence and Corruption

    Mitya's insistence on his innocence despite circumstantial evidence and his own violent impulses underscores the conflict between his inner purity and the corrupting influences around him.

Characters to notice

  • Dmitri Karamazov

    Mitya is the primary subject of the interrogation, defiantly recounting his actions and refusing to reveal the source of his money.

  • Nikolay Parfenovitch Nelyudov

    The investigating lawyer who conducts the interrogation, pressing Mitya for details and ordering a search.

  • Ippolit Kirillovitch

    The prosecutor who listens intently and interjects with pointed questions, such as about the open door.

  • Smerdyakov

    Mentioned as a possible suspect, but Mitya dismisses him as a coward; the lawyers report he is unconscious from an epileptic fit.

  • Grigory

    Referenced as the servant who caught Mitya on the fence and was struck with the pestle.

  • Fyodor Pavlovitch Karamazov

    The victim of the murder, seen by Mitya through the window before the attack.

Key passages

  • But the devil was conquered. I rushed from the window and ran to the fence.

    Mitya claims he overcame his murderous impulse and fled from the window toward the fence.

    Mitya describes a moment of moral victory, attributing it to divine or angelic intervention.

  • The door stood open, and your father's murderer undoubtedly went in at that door, and, having accomplished the crime, went out again by the same door.

    The prosecutor asserts that the murderer entered and exited through the open door, not the window.

    This contradicts Mitya's account and suggests another person committed the murder.

  • I not only wanted to murder him, but I might have done it. And, what's more, I went out of my way to tell you of my own accord that I nearly murdered him. But, you see, I didn't murder him; you see, my guardian angel saved me.

    Mitya admits his intent and capability to kill but insists he was prevented by a guardian angel.

    He uses this to argue his innocence, emphasizing the difference between intention and action.