The Blacker the Berry · Chapter
Part III: Alva explained
Emma Lou, now working as a maid for actress Arline Strange, spirals into self-hatred and obsessive attempts to lighten her skin.
What happens
Emma Lou, now working as a maid for actress Arline Strange, spirals into self-hatred and obsessive attempts to lighten her skin. She recalls past rejections due to her dark complexion and becomes consumed by a desire to find a mysterious, well-dressed man she danced with. After a failed job search, she returns to work and is invited to Small's Paradise by Arline and her brother, despite having never been to a cabaret.
Themes in this chapter
Self-Hatred and Identity
Emma Lou's obsessive skin bleaching and constant self-criticism highlight her internalized racism and struggle with her dark skin.
Colorism and Intraracial Prejudice
The chapter emphasizes color-based discrimination within the Black community, from sorority exclusions to casting preferences in Cabaret Gal.
Harlem Renaissance and Cultural Exploitation
Arline Strange's performance as a 'Negro Carmen' and the cabaret scene reflect the commodification of Black culture for white audiences.
Characters to notice
- Emma Lou Morgan
Intensifies her self-hatred, experiments with skin bleaching, and obsessively searches for the man she danced with.
- Arline Strange
Emma Lou's employer, a white actress playing a mulatto Carmen; invites Emma Lou to Small's Paradise.
- John
Recalled by Emma Lou as a past lover who could not satisfy her emotional or physical needs.
- Jasmine Griffith
Emma Lou asks her for advice on finding a new room; Jasmine is noncommittal.
- Mazelle Lindsay
Helps Emma Lou secure a position as maid to Arline Strange after her job search fails.
- Jane Morgan
Emma Lou's mother, who writes a tearful letter urging her to return home; Emma Lou dismisses it.
Key passages
“We have nothing here.”
A Caribbean woman tells Emma Lou that people of color in her homeland do not associate with Black individuals.
This remark deepens Emma Lou's sense of rejection and reinforces her belief that dark skin is universally despised.
“She should have been a boy. A black boy could get along, but a black girl.”
Emma Lou believes that being a dark-skinned male would offer more opportunities than being a dark-skinned female.
Reflects the intersection of gender and colorism in limiting Emma Lou's prospects.
“Stop your mooning, dearie.”
Arline Strange tells Emma Lou to stop daydreaming and focus on her work.
Arline's casual command underscores the power imbalance and Emma Lou's subordinate role.