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The Avenger · Chapter

XXV: The Man in the Car explained

Adele Leamington prepares for a tea meeting with Michael Brixan, but he fails to appear.

What happens

Adele Leamington prepares for a tea meeting with Michael Brixan, but he fails to appear. Later that evening, she encounters the same mysterious closed car she saw Lawley Foss speaking to the previous night. A white hand with a sparkling diamond beckons her, but she flees in terror to a policeman. Meanwhile, Michael Brixan informs Jack Knebworth of the discovery of Foss's head and discusses the possibility that Sir Gregory Penne is the Headhunter, with Mendoza as a potential key witness.

Themes in this chapter

  • Deception and Appearances

    Adele reflects on her own self-repression and the contrast between her inner nerves and her outward composure; the mysterious car and its occupant embody hidden identities and deceptive calm.

  • The Macabre and Grotesque

    The discovery of Foss's head and the whispered invitation from the car contribute to a growing atmosphere of horror and the grotesque.

Characters to notice

  • Adele Leamington

    Waits for Michael Brixan for tea, then goes out at night and is frightened by the man in the closed car.

  • Jack Knebworth

    Gives Adele the afternoon off, later receives news from Michael Brixan about Foss's head and discusses the case.

  • Lawley Foss

    Mentioned as having been seen speaking to the occupant of the closed car; his head has been discovered.

  • Mike Brixan

    Fails to meet Adele for tea, later calls Jack Knebworth to report the discovery of Foss's head.

  • Stella Mendoza

    Mentioned as a possible key witness who may know the author of the manuscript.

  • Sir Gregory Penne

    Suspected by Michael Brixan of being the Headhunter and of killing Foss.

Key passages

  • Life is largely made up of little things, but perspective in human affairs is not a gift common to youth.

    Youth often lacks the perspective to see that life's small details matter.

    Opening reflection on Adele's youthful perspective.

  • No: the moment I hear the camera turning, I feel that I am the character I’m supposed to be.

    As soon as filming starts, Adele fully inhabits her role.

    Adele describes her acting process to Jack Knebworth.

  • Pretty lady—come with me!

    An attractive woman, come with me!

    The whispered invitation from the man in the car that frightens Adele.