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The Age of Innocence · Chapter

Chapter XXI explained

At the Beaufort garden-party, Archer watches May win the archery contest, but feels a troubling emptiness beneath her 'niceness.' He and May visit old Mrs.

What happens

At the Beaufort garden-party, Archer watches May win the archery contest, but feels a troubling emptiness beneath her 'niceness.' He and May visit old Mrs. Mingott, who reveals that Ellen Olenska is visiting. Archer goes to fetch Ellen from the shore, and the sight of her reawakens his past feelings.

Themes in this chapter

  • Illusion vs. Reality

    Archer questions whether May's 'niceness' is a mere curtain hiding emptiness, contrasting the surface perfection of society with deeper truths.

  • Sacrifice and Renunciation

    Medora speaks of marriage as 'one long sacrifice,' and Archer reflects on his own renunciation of Ellen.

  • Social Conformity vs. Individuality

    Archer feels out of step with the cheerful social scene, and Ellen's withdrawal from Newport society highlights her nonconformity.

Characters to notice

  • Newland Archer

    Feels a shiver of doubt about May's 'niceness' and experiences a resurgence of emotion upon seeing Ellen.

  • May Welland

    Wins the archery contest with grace and simplicity, but Archer senses a hidden emptiness.

  • Ellen Olenska

    Visiting her grandmother, Mrs. Mingott; she is seen standing alone at the shore, evoking Archer's memories.

  • Mrs. Manson Mingott

    Receives Archer and May warmly, jokes about May's blushes, and sends Archer to fetch Ellen.

  • Medora Manson

    Flutters about at the party, speaks of Ellen's reclusive state and her own contrasting lifestyle.

  • Julius Beaufort

    Hosts the garden-party; makes a dismissive remark about May's archery skill.

Key passages

  • What if 'niceness' carried to that supreme degree were only a negation, the curtain dropped before an emptiness?

    Archer wonders if May's extreme niceness is just a cover for a lack of depth or substance.

    Reveals Archer's growing doubt about his marriage and May's true nature.

  • The idea that he could ever, in his senses, have dreamed of marrying the Countess Olenska had become almost unthinkable, and she remained in his memory simply as the most plaintive and poignant of a line of ghosts.

    Archer has convinced himself that his earlier desire to marry Ellen was a folly, and he now thinks of her as a sad memory.

    Shows Archer's attempt to suppress his feelings for Ellen, which are about to be reawakened.

  • But marriage is one long sacrifice, as I used often to remind my Ellen—

    Medora says that marriage requires constant self-denial, a lesson she often told Ellen.

    Foreshadows the theme of sacrifice in Archer's and Ellen's lives.