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The Age of Innocence · Chapter

XIX explained

Newland Archer and May Welland are married at Grace Church in a lavish, ritualistic ceremony that Archer finds both tedious and hollow.

What happens

Newland Archer and May Welland are married at Grace Church in a lavish, ritualistic ceremony that Archer finds both tedious and hollow. During the service and the subsequent journey to their honeymoon destination, Archer reflects on the superficiality of New York society and his own growing disillusionment. May remains cheerfully unaware of his inner turmoil, and the chapter ends with their arrival at the Patroon's house, arranged by the van der Luydens after an accident at the planned location.

Themes in this chapter

  • Social Conformity vs. Individuality

    Archer feels trapped by the prescribed rituals of his wedding, contrasting his inner rebellion with his outward compliance.

  • Illusion vs. Reality

    Archer perceives the wedding as a hollow performance, while May sees it as the beginning of their 'wonderful luck,' highlighting the gap between appearance and truth.

Characters to notice

  • Newland Archer

    The bridegroom, who goes through the wedding motions with resignation and reflects on the emptiness of social rituals.

  • May Welland

    The bride, who appears pure and unaware, and later expresses delight at their honeymoon arrangements.

  • Mrs. Archer

    Newland's mother, who weeps softly during the ceremony.

  • Janey Archer

    Newland's sister, seated in the family pew and unable to see much of the congregation.

  • Julius Beaufort

    Observed in the congregation, scrutinizing the women with his arrogant stare.

  • Lawrence Lefferts

    Present at the ceremony, his sleek head seeming to guard the deity of 'Good Form'.

Key passages

  • Everything was equally easy—or equally painful, as one chose to put it—in the path he was committed to tread

    Archer feels that his future is predetermined and that his compliance is either effortless or agonizing, depending on perspective.

    Reflects Archer's ambivalence about his marriage and societal expectations.

  • the things that had filled his days seemed now like a nursery parody of life, or like the wrangles of medieval schoolmen over metaphysical terms that nobody had ever understood.

    Archer now views the social concerns that once occupied him as childish and meaningless.

    Highlights Archer's growing disillusionment with his social world.