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Short Fiction · Chapter

Old Age explained

Architect Uzelkov returns to his hometown after eighteen years to restore a cemetery church.

What happens

Architect Uzelkov returns to his hometown after eighteen years to restore a cemetery church. He reunites with his former attorney Shapkin, who recounts the sordid details of Uzelkov's divorce from his first wife, Sofya Mihailovna. Shapkin confesses to having cheated both Uzelkov and Sofya, and describes her subsequent descent into alcoholism and poverty. The two men visit Sofya's grave, where Uzelkov feels a belated, stifled urge to weep.

Themes in this chapter

  • The Passage of Time

    Uzelkov finds his hometown and its people transformed; Shapkin and Uzelkov are both old and bald, and the past is irrevocably gone.

  • Hypocrisy and Moral Failure

    Shapkin openly admits to having cheated Uzelkov and his wife, yet he now presents himself as a respectable family man; Uzelkov's own neglect of his first wife is revealed.

  • Mortality and Legacy

    The cemetery setting, the grave of Sofya Mihailovna, and the characters' reflections on death and the futility of past actions underscore the theme of mortality.

Characters to notice

  • Uzelkov

    Returns to his hometown after 18 years to restore a cemetery church; confronts his past through a reunion with his former attorney.

  • Shapkin

    Uzelkov's former attorney, now a grey-headed, decrepit old man; confesses to having cheated Uzelkov and his ex-wife.

Key passages

  • Uzelkov, an architect with the rank of civil councillor, arrived in his native town, to which he had been invited to restore the church in the cemetery.

    The architect Uzelkov, a civil councillor, came back to his hometown to oversee the restoration of the cemetery church.

    Opening of the chapter establishing Uzelkov's return.

  • She sleeps in peace. It's nothing to her now that she took the blame on herself and drank brandy.

    She is at peace now, and her past suffering and self-blame no longer matter.

    Shapkin's comment at Sofya's grave, highlighting the finality of death.