Short Fiction · Chapter
The Music of Erich Zann explained
A student of metaphysics recounts his time living on the mysterious Rue d'Auseil, where he encounters the reclusive viol-player Erich Zann.
What happens
A student of metaphysics recounts his time living on the mysterious Rue d'Auseil, where he encounters the reclusive viol-player Erich Zann. The narrator becomes fascinated by Zann's otherworldly music, but when he attempts to look out Zann's garret window, he sees not the city but a terrifying void of space and chaos. In the climax, Zann dies mid-performance, and the narrator flees the house, never to find the street again.
Themes in this chapter
Forbidden Knowledge and Occultism
Zann's music and the view from his window reveal a hidden, terrifying dimension beyond normal reality.
Madness and Psychological Decay
The narrator's broken memory and Zann's frantic, obsessive playing suggest psychological deterioration.
Horror of the Unknown
The void seen from the window and the incomprehensible music embody the terror of the unknowable.
Characters to notice
- Unknown Narrator
The metaphysics student who rents a room in the Rue d'Auseil and becomes obsessed with Zann's music.
- Erich Zann
A mute, elderly German viol-player who lives in the garret and produces terrifying, unearthly music.
- The Servants
Implied by the mention of the paralytic concierge Blandot, who manages the house.
Key passages
“I have examined maps of the city with the greatest care, yet have never again found the Rue d'Auseil.”
Despite meticulously studying city maps, the narrator has been unable to locate the Rue d'Auseil.
Establishes the story's central mystery and the narrator's obsessive search.
“I saw no city spread below, and no friendly lights gleaming from remembered streets, but only the blackness of space illimitable; unimagined space alive with motion and music.”
Instead of the expected cityscape, the narrator sees an infinite, animated void filled with sound and movement.
Climactic revelation that Zann's window opens onto a cosmic abyss.
“I have never since been able to find the Rue d'Auseil. But I am not wholly sorry; either for this or for the loss in undreamable abysses of the closely written sheets which alone could have explained the music of Erich Zann.”
The narrator cannot rediscover the street, but feels relief that the mysterious sheets explaining Zann's music are lost forever.
Ending reinforces the theme of forbidden knowledge and the narrator's ambivalence.