Short Fiction · Chapter
The Temptation of Harringay explained
Artist R.
What happens
Artist R. M. Harringay struggles to paint a portrait of an Italian organ-grinder, but the canvas seems to take on a life of its own, developing a sinister, diabolical expression. As he tries to correct it, the painting speaks to him, criticizing his artistic process and offering a Faustian bargain: masterpieces in exchange for his soul. Harringay fights back by painting over the demonic figure with enamel, ultimately covering the canvas entirely, though he later regrets not photographing the devil first.
Themes in this chapter
Artifice vs. Authenticity
Harringay's struggle with his painting reflects the tension between artificial technique and genuine creative inspiration, as the demon criticizes his lack of true artistic soul.
Ambition and Failure
Harringay's desire to create a masterpiece leads him to a dangerous bargain, and his ultimate failure is underscored by the story's conclusion that he never produced a great work.
Characters to notice
- Harringay
The artist protagonist who struggles with his painting and confronts a demonic figure that emerges from his canvas.
Key passages
“If you met it walking about the streets you would know it was only a studio production. The little boys would tell it to 'Garnome and git frimed.'”
The painting is so lifeless that even street children would mock it as obviously artificial.
Harringay criticizes his own work for lacking vitality.
“Two masterpieces, said the demon. Two indubitable masterpieces for a Chelsea artist's soul. It's a bargain?”
The demon offers Harringay two guaranteed masterpieces in exchange for his soul.
The demon tempts Harringay with artistic success at the cost of his eternal soul.