All chapters

Short Fiction · Chapter

LIII explained

Sofia Alexandrovna speaks of the inconsolable grief of the dying, tormented by the cold moon.

What happens

Sofia Alexandrovna speaks of the inconsolable grief of the dying, tormented by the cold moon. Natasha responds that they are with him in his grief, but Sofia insists he was alone when strangled by the hangman. The three women—Sofia, Natasha, and Elena Kirillovna—walk hurriedly through the garden and field into the woods, where children once sang a hymn and were betrayed. The moon follows them coldly.

Themes in this chapter

  • Death and Mortality

    The chapter dwells on the dying man's isolation, the hangman's act, and the inconsolable grief of those left behind.

  • Illusion vs. Reality

    The moon's cold, dead light and the women's mechanical, driven movements blur the line between conscious will and spectral compulsion.

Characters to notice

  • Sofia Alexandrovna Ozoreva

    Speaks of the dying man's boundless grief and the torment of the moon; leads the hurried walk into the woods.

  • Natasha Ozoreva

    Responds sadly to Sofia, affirming they are with the dying man in his grief; follows Sofia with an automaton-like gait.

  • Elena Kirillovna

    Trips behind the others, weeping a few tears onto her black cloak.

Key passages

  • There is no consolation for the dying. His grief is boundless. The cold moon continues to torment him. A moan struggles to break from his throat, a moan like the wild baying of a caged beast.

    The dying man finds no comfort; his sorrow is infinite, and the moon's chill presence tortures him, forcing a cry like a trapped animal.

    Sofia Alexandrovna describes the dying man's torment.

  • We are with him only in his despair, in his pitiful inconsolability, in his dark solitude. But he was alone, alone, when he was strangled by the hand of a hired hangman; strangled in that dark enclosure which it is not for us to demolish.

    We share only his hopelessness and isolation, yet he faced the hangman entirely alone in a prison we cannot break open.

    Sofia emphasizes the dying man's ultimate solitude at the moment of execution.