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Short Fiction · Chapter

A Pursuit Race explained

William Campbell, an advance man for a burlesque show, has been in a 'pursuit race' with the show since Pittsburgh, hoping to stay ahead until the Pacific coast.

What happens

William Campbell, an advance man for a burlesque show, has been in a 'pursuit race' with the show since Pittsburgh, hoping to stay ahead until the Pacific coast. The show catches up with him in Kansas City, where he is in bed, drunk and using drugs. Mr. Turner, the manager, visits and urges him to take a cure, but Campbell refuses, hiding under the sheets and speaking about his 'wolf.' Turner leaves, and later returns at noon to find Campbell sleeping; he chooses not to wake him.

Themes in this chapter

  • Masculinity and Sexual Anxiety

    Campbell's fixation on sheets and his warnings about women, horses, and eagles reflect a deep-seated anxiety about sexuality and contamination.

  • The Search for Authenticity

    Campbell's retreat under the sheet and his refusal to engage with reality or take a cure highlight a desperate search for a false sense of happiness and escape.

  • Post-War Trauma and Alienation

    Campbell's drug use, isolation, and inability to 'slide' or keep up with life suggest a profound alienation and trauma, possibly linked to the post-war context.

Characters to notice

  • William Campbell

    The protagonist, an advance man for a burlesque show, is in bed drunk and using drugs, hiding under sheets and speaking deliriously about his 'wolf.'

  • Turner

    The manager of the burlesque show, called 'Sliding Billy,' who tries to convince Campbell to take a cure and eventually leaves him sleeping.

Key passages

  • In a pursuit race, in bicycle racing, riders start at equal intervals to ride after one another. They ride very fast because the race is usually limited to a short distance and if they slow their riding another rider who maintains his pace will make up the space that separated them equally at the start.

    In a pursuit race, cyclists begin spaced evenly apart and ride at high speed over a short distance; if one slows down, another who keeps up the pace will close the gap.

    This metaphor frames Campbell's struggle to stay ahead of the burlesque show and his eventual collapse.

  • I can't slide, Billy. It's awful when you can't slide.

    I am unable to move forward or escape; it is terrible to be stuck like this.

    Campbell's confession reveals his sense of paralysis and failure.